Ewelina Rosinska

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

A young Polish-born, Berlin-based lawyer working on refugee cases is unexpectedly reunited with his father, who is his only tie left with his homeland.

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

Amelie and Veit lead a double life as night birds.

Using excerpts from films made by students of the Berlin film academy within the last 50 years, this movie creates a fusion of intense cinematic expressions and gestures. It shows the spirit of past times, aesthetics and attitude, making film history palpable.

Once upon a time, there's been an epidemic on earth: People float away due to fear and petty criminal brothers Rémi and Widu are fighting the whole time while trying to accomplish their biggest mission yet.

Geology, animals and the human path flow into this subjective portrait of Portuguese landscapes. Between 2018 and 2023, the director came across different regions and places in this country, either alone or with a group of artists and eco-activists. The footage was shot on the fringes of these groups’ work and activities, reflecting and revealing themes such as nature conservation, ethnography, agriculture or actions against gentrification. The rhythm of Pedras Instáveis is determined by the Bolex camera, but it is slower and contemplative, aligning with the contemporary idea of slowing down.

Combines footage from Poland and Portugal, the similarities between these two countries in their nature and culture.

Polish filmmaker Ewelina Rosinksa explores the textures and landscapes of her homeland, a place of contrasts and parallels, where Catholicism and the natural world swirl in a baroque gesture. A delicate, melancholy history weaves through the details of this poetic and poignant impression.

2.5 meter wingspan. When a human approaches a flock of vultures, the birds begin to circlethem in order to identify the intruder. We were able to film this special encounter with the Bolex camera in Porto do Tejo in Portugal.

A dreamy big city atmosphere from a haven in the middle of Berlin, where a motley community of eccentric people have created their own world.

In a kaleidoscopic sequence, images search freely for stories that shape lives — faith, patriotism, anarchism, tourism, returns and arrivals, sketches of daily life and nature. Like a photo book, the film creates new images and relationships between shots, reassembling a journey of impressions where the outlines of the world oscillate. Filmed in Poland, Germany, Portugal, Greece and Brasil. Shot in 16 mm, in seven chapters. [Punto de Vista]