Ricardo Farias

Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.

In 2004, Brazil is shaken by the disappearance of Priscila, sister of MMA world champion Vitor Belfort. The police are racing against time to solve the case, but twenty years later, they have more questions than answers.

In 1971, two young entrepeneurs decide to organize a race car with lots of indie rock bands livening up the event in Avandaro, Mexico. When only 25 thousand tickets are sold but more than 200 thousand people arrive, things start to get out of control.

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In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

In this new horror anthology, nine Mexican directors come together to tell stories about the most brutal, ruthless and bizarre Mexican traditions and legends.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

The Devil himself comes to Earth to open his own church and the world becomes a pandemonium of delights and confusions. Based on a short story by Machado de Assis, the most famous realistic Brazilian writer of the XIX century.

Marluce (Angelina Muniz) is a young woman of humble origin who sells popsicles in the Piscinão de Ramos and still dreams of finding her daughter Marcelly (Laís Said). Moved by the story of Marluce, the journalist Trude (Cacau Melo) and her team try to discover Marcelly’s whereabouts, but they end up discovering Marluce’s great secret.

A portrait of the one hundred years of Santos Football Club, where history is told by the real facts, their meaning and emotion. "To born, to live and to die Santos", the path of the first Brazilian football team to become World Champion twice since its foundation. From Pelé goals era to the irreverent football of Neymar’s generation, the history is told by supporters, players and historians, inserting the football passion into the cultural context of Brazil and inside each Brazilian as well.

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

In the near future. Humanity is on the edge of extinction and survival has become a perverse game. A couple travels somewhere unknown to make a trade-off. What they'll exchange is a mystery, but, what they will receive in return could save them. What is this couple willing to sacrifice in order to survive?

The goal is the culmination of any football match that prevails: the moment of maximum euphoria expected by any team. And the team of Santos is known for being the Brazilian record holder who has rocked the networks to this day. In this essay, idols like Pelé, Robinho and Serginho Chulapa tell how their sensations blended into the Club's own history in its most important moments on and off the field.

The documentary Olympic Women, directed by Laís Bodanzky, shows that the history of women in sport is often entwined with the history of women as a whole. While so many Brazilian women were fighting for the right to vote, to divorce, and the right to free speech, some were fighting for the right to be present at one of the biggest events on the planet: the Olympics. And something that should have been simple and natural, was not. Some Olympic appearances were dramatic. Others, isolated and lonely. Just as in society, women in sport had to earn their rights by force.

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A young reporter is sent to cover an accident where some children fell into a hole. What happens next is simply indescribable.

Aline Morales is one of the main broadcasters of Maracatu in Toronto. From a meeting with members of Recife's Maracatu Estrela Brilhante Nação, she and her traveling companions reflect deeply on the different aspects of this genre, beyond music.