Directing
Phantom Islands is an experimental film that exists at the boundary of documentary and fiction. It follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity.
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Telekinetic Pleasures depicts the aftermath of a bizarre scientific experiment that involves chickens, reptilian and human subjects, two of whom have survived and are portrayed by the directors themselves – artefacts of their psychic transmissions are captured here on videotape.
Two teenage girls want nothing but to play games, dress up and have adventures, but when they find themselves in conflict with the world around them they set out to transform it and break free. Playful, poetic, experimental
The Kingdom Of Shadows is a mystical cinematic experience which stirs from the darkness the spirits of our ancestors and reawakens the horror of unresolved crimes and denied desires.
In this film a lone figure wanders through a mysterious wilderness while hounded by spectres and unseen forces. This is a solitary journey, a path of exile and hardship that leads beyond the abyss to where reality loses its mask of concreteness and shows its true fluid face.
With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?
