Jan Kreidl

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Young boy Cestmir finds a magic rock which allows him to bring the seeds of the flowers which allow flying from Blue Planet...

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Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek

Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

A first part of a funny adventures of six years old Lucie and her two magic dolls.

A petrol pump is run by a permanent team: the manager Vávra, a former civil engineer ing. Stejskal, a smug crook named Karafa, and an old man, Dvořák, who is about to retire. They have a well-developed system that allows them to divert part of the profits into their own pockets. The only one who wants nothing to do with the crooked business is old Dvorak, who one day will find another job. Into this situation comes a young man, Zdeněk Černý, as a new employee. He's inquisitive and works quickly. He also understands the profit-sharing system. He soon inspires confidence in Vávra and the others, but soon starts to assert his right to an equal share of the profits...

Matej and Jenda, two of the eight children of the poor Pelc family in the Giant Mountains, help in a glass works where the oldest brother Francek works. They hide into a tub not to be seen by supervisors checking on the ban of children labor. They miss the Epiphany carol (songs and treats door-to-door) and all neighbor village boys again on them in all the neighbor houses. On their way home they are passed by a fast moving big man with a large backpack. The boys send the customs officers, who are pursuing the strange man, to the opposite direction. The man then thanks them and rewards them the next day. Based on fairy-tales and legends the boys think the man is Krakonos (the giant living and ruling in the Giant Mountains).

The comedy tells the story of a lonely mother of a small, naughty and immediate son who sometimes unwittingly does some mischief. Not for nothing does the mom say that in a family where they have such a boy, they would need a belt. The perceptive Petřík does not hesitate and goes to buy her a belt as a present at the department store. On this occasion, he invites the elderly nice saleswoman to their home, because their grandmother has already died and their father is gone too. In the shop, she meets a purse snatcher who tricks the boy for his address. On Christmas Eve, the mother is surprised not only by unexpected visitors at home, but also by a sympathetic young policeman who has accompanied her son home...

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Roman Hlava grew up with his diplomat parents in Latin America where he had been home-schooled by his over doting mother. The over indulgence of affection and praise has given the boy an over confidence. This is quickly squashed by his new peers when the family returns to the Czech Republic. This leads to neurotic tics and the nickname Mrkácek the 'Blinker.' A stay at a children's camp provides new friends, acceptance, an appreciation of nature, a new outlook on life, and loss of the tics.

A story about a life of a group of children in the foster home.

Emigrants rarely do well abroad, which is why they often return to their homeland. At least, that's what the film The Poachers claims. But the long years of separation and different experiences create alienation, and the returnees lose touch with their loved ones. This is exactly what happens to the main character, who cannot understand the changes that the Czech village has undergone. Neither with his son nor with his wife can he find common ground. Although the director Hynek Bočan relies on expressive portrayal, the basic problem of the story remains its lifelessness.

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The TV play tells the story of a woman who committed financial fraud at work. But she did not appropriate the money for herself; she was lured into the wrong act by dedication and a great, almost monkey-like love for her children. However, it is her teenage children who cannot understand that their mother, their model of decency and honesty, who taught them to safely distinguish right from wrong, has so disappointed them. The search for understanding and forgiveness will be very difficult.

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