Writing
Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
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The plot follows Princess Turandot who is cursed by a mysterious power emanating from three Mazovian bracelets that were given to her as birthday gifts. These bracelets’ life-draining effects cause the princess to becomes cruel, and gradually she loses her humanity.
A story of court intrigues, love, and betrayal. A vain king is turned into a stag and only true love can save him
"Love for Three Oranges" is the first play by Carlo Gozzi (December 13, 1720 - April 4, 1806). He wrote it in 1761. The play is based on a parody of the fairy tale "Love Against Three Oranges". It was originally written as canovaccio (the explanation of the content on which commedia dell'arte actors improvise the text), but later Gozzi also added some dialogue instructions and critical explanations.
The Prince, suffering from melancholy, embarks on a dangerous and fascinating journey in search of three oranges. In one of the oranges, he finds his beloved Adelita and is cured of the blues forever.
The Arena di Verona Festival honors Italian stage director Franco Zeffirelli, and his legendary production of Turandot. Interpreted within the sumptuous surroundings of Verona Arena, this Puccini's masterpiece tells the story of a princess whose beauty was only comparable to her cruelty. She will only marry a prince capable of solving her riddles, but if he fails, he will be beheaded... For this edition, the lyrical festival invites the russian soprano Maria Guleghina who proved a brilliant Turandot. She took to the stage with Salvatore Licitra's trump card is his imposingly radiant tenor voice of wich he remains in sovereign control, and the soprano Tamar Iveri is a beautiful and sensitive Liù.
The prince is suffering from severe depression, and only laughter can save him.
