Hajo Tuschy

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

1919. World War I has just ended. Dörte Helm, a young art student in Weimar, follows Walter Gropius’ call and joins the newly-founded Bauhaus school. A love story grows between Gropius and Dörte, adding fuel to the fire of the ensuing scandal threatening the very existence of the Bauhaus; the school of art that would go on to shape the 20th century like no other…

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

Shortly after the end of the Second World War: In 1945 and 1946, the men of the British "War Crimes Investigation Unit" drove through northern Germany on the hunt for Nazi criminals. One of them is Captain Anton Walter Freud, the grandson of Sigmund Freud, the founder of psychoanalysis. Anton Walter Freud fled to London with his family from the Nazis in 1938. Now an intelligence officer, he's back to track down killers on Allied wanted lists: hitmen in pinstripes, brutal SS henchmen, and ruthless doctors who conducted medical experiments even on children. The soldiers who witnessed the liberation of the Bergen-Belsen concentration camp months earlier are not squeamish about it. 24-year-old Freud is a free spirit known for his unorthodox methods. He knows how to make war criminals talk. So he comes across a crime that has hardly been known before, the murder of 20 children in Hamburg in the last days of the war.

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Monika, 20, nearsighted and dependent on her family, fails a risky eye laser operation and loses her sight. Her mother, Birgit, overwhelmed, places her in a municipal home for the blind, where Monika receives proper care and overcomes depression. With newfound strength, she seeks independence, which displeases Birgit. Monika enrols in a physical therapy apprenticeship, finding a new connection to the world and balancing disability with autonomy.

Through the confrontation with a difficult client, the director gets caught in an absurd competition of incompetence at the expense of their actress. A classic “lose-lose situation”. As he accepts the greatness of his failure, he is left with his only way out: expressive dance!

Wild times are behind them. Now married, Gino and Benjamin live an idyllic family life with their adopted daughter Lina. Both are doting parents, and deal easily with her medical issues and occasional symptoms of illness. So when her symptoms become increasingly severe, Gino suspects she is being poisoned. Inspired by real events, Munchausen syndrome by proxy: and the killer is in the house.