Production
Family comedy and family melodrama involving father and son wrestlers, little brothers, little sisters, girlfriends, waitresses...
The classic family with more sisters and one brother who has to deal with all the naughty words about being the brother in law of many.
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
Through hard work, the Spaniard Alejandro has become wealthy and powerful. In contrast, the banker Don Victorino—who once refused a loan to the then-poor Alejandro—has fallen on difficult times. Victorino is married to Ana, who spends her life playing the piano, and they are the parents of the proud Julia, who is engaged to Enrique Régules. Julia is forced to marry Alejandro in order to save her family’s financial situation. Despite her husband’s blunt and often harsh honesty, Julia gradually finds herself falling in love with him, and vainly tries to make him jealous with Licenciado Héctor, who courts her. Julia becomes nervously ill, troubled by the fact that Alejandro does not love her in the romantic, storybook way she longs for.
Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu
Woman becomes a prostitute so her writer BF can concentrate on his art instead of working for a living.
On the thinnest of pretexts, a horde of homeless people descend on the apartments of two members of the comfortable middle class and proceed to loot and vandalize both homes, leaving the next morning with many of the belongings they found there, as well as one of the residents who has opted to join them. This political allegory is based on two plays by the Chilean playwright Egon Wolff.
In the 1920s, Mexico was still in a state of near-chaos. Rebellions and revolutions had followed one after the other for decades. Though things were beginning to settle down some, it was still a time when one had the feeling that anything could happen.
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
A fugitive hides from justice among smugglers in the deep jungle of an exotic island, but things become complicated when he falls in love with a local cabaret dancer.
