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The tragicomedy of a man who, by inappropriately attending the wedding of his subordinate, wants to demonstrate humanistic thinking in a society that is not ripe for such ideas. However, it turns out that even for him humanism is just a declared empty concept, serving to gain popularity. His whole democratization "mission" results in a farce, for which, out of offended vanity, he takes merciless revenge on his subordinates and on the whole environment...
A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride.
A contemporary tragicomedy from a modern city about disintegration of relationship, disintegration of a marriage, and maybe also about the disappearance of basic rules from decent life. A very black comedy about people in their 40ies who already have money, but still listen to rock and roll, exchanging drugs for mobile phones.
The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.
Jacub's father left for business, so there is currently no "man in the house". No wonder Jacub becomes responsible for everything happening in the building.
A television adaptation of a short story by Polish author K. Brandýs. An elderly couple are preparing to celebrate their fiftieth wedding anniversary, to which their children and families are also due. The two elders' wait is filled with reminiscences, revealing both private and socio-political problems. Touchingly nostalgic moments alternate with explosive, nervous scenes, caused by the disappointment that the children did not come. None of the three children has remembered their grandparents. However, the wisdom of old age speaks: if loneliness has remained their lot, they need to come to terms with it as quickly as possible.
