Birge Funke

Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

Eine wie keine is a German television series.

The Augsburger Puppenkiste brings the biblical story of Christmas onto the big screen. On time for Christmas, the tale of Maria, Joseph and Baby Jesus is told in all of Germany.

When a thunderstorm causes problems on Christmas day, Santa Claus Niklas Julebukk is forced to make a dangerous emergency landing. Niklas Julebukk may still be relatively young, but he's already a real Santa Claus. Unfortunately, he is now stranded with his caravan, the goblins Flybeard and Goatee, the reindeer Shooting Star and even the little angel Matilda. Because Julebukk also does not want to participate in the new-fangled custom of giving children expensive presents, he is also threatened by the nasty Waldemar Wichteltod. Luckily, the two courageous children Ben and Charlotte help him. Together they can save Christmas Eve from the mean gnome and his nutcrackers.

West Berlin, 1967: Shirin’s husband is desperate for her to make a good impression on his new German work colleagues, but protests against the Shah of Iran’s visit to Berlin and a misunderstanding about a missing ring cast suspicion on the Middle Easterners, sending the party spiralling into disaster.

A noir-ish film scene in Berlin, 1944. Underground resistance fighter Wolfgang gives a beautiful spy, Juliette, an important document to take back to Paris. They'll never see each other again, but their mission is too important to let feelings get in the way. The scene pauses on Wolfgang as a dubbing director's voice explains, in German, the plot of the movie to the German voice of Wolfgang. But as the German dubber begins to record a new voice and language for Wolfgang's face, the actor looks into the camera and upsets the entire process. He changes his rhythm and even dialogue to stop the dubbing actor from "stealing" his voice. From now on, the German dubber must work to dodge the English actor's new mannerisms and catch up to his mouth to earn his place in the movie.