Eszter Csépai

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper Jewish burial.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...

The Danish ambassador to Washington declares himself to be the sole representative of a free Denmark during the Nazi occupation of the country.

In 1913, an orphaned young woman arrives in Budapest to take up employment as a milliner at the hat store that belonged to her late parents but becomes mired in a search for a brother she had never known of.

A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed. A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang.

Vampires are among us! But no need to worry: the Hungarian Secret Police are after them, and beyond the usual spy gadgets, they even use garlic to repel the beasts.

Death does not select, man does. Set in Budapest, Heavenly Shift offers an eerie insight into the everyday lives of a rather extraordinary ambulance crew. The films main character is Milan, a young refugee from the Balkan War, who joins a team of paramedics but inadvertently ends up involved in the funeral business in order to finance his fiancee s rescue from the hostilities.

Vera is an emotionally unstable young psychologist, who cannot even manage her own problems. After her musician boyfriend breaks up with her, she refuses to face the fact: she is no longer needed.

Laura arrives in New York to join Viktor, a Hungarian filmmaker she has been working with on a documentary about Béla Bartók. At the same time Pierre, a film director from Paris, is in town looking for an actor to play the role of Bartók’s grandson in a fiction film he will be shooting in France. Fiction and reality are intertwined as the characters jump from one story to another in order to locate the missing parts of a puzzle that will unveil a mystery surrounding the death of the famous composer.