Toshihiko Tanaka

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

A life of a mother and her two children breaking down quietly without showing any events happening out of their house. The film is about a child neglect and a corruption of the belief, motherhood exists in all female, based on a true incident happened in Osaka, Japan.

Two rival businessmen, Ozaki and Tsuburuya, clash with their irresistible charms, but when their rivalry turns into passion, sparks fly in unexpected ways.

The title of Tanaka Toshihiko’s ambitious exploration of human relationships is polysemous. A genderless given name, the kanji character can similarly represent a variety of meanings. As such, it’s the perfect symbol for this portrait of early thirtysomething company employee Matsushita Hikari. Her life is stable and seemingly without worry, unlike many of those around her. But it’s through their struggles that they find their counterparts in life – the balance in relationships that steadies them. Hikari lacks this ballast and this begins to worry her. However, on a trip into the mountains of Hokkaido she encounters a Deaf landscape photographer, Masato. Through him Hikari embarks on a journey that will transform her sense of being and connectedness with the world.

Maeda, a shy clothing store worker, secretly loves his charming manager, Yagii. When Yagii confesses his feelings, their romance faces challenges from distance and insecurities.