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Mohan Segal

Directing

Known For

Kartavya
10.0

Vijay Kumar, a forest officer returns to the forest where his dad met an untimely end. Will his secret plan to snare poachers succeed? Sandalwood, ivory,animal hides and raw power is at the nexus of money and corruption.

Kartavya

1979
Kasam Suhag Ki
6.0

As a courtesan, Surajmukhi lives a life of servitude and exploitation that she longs to escape. Sultan Singh, rescuing her from an assault, is the first man to treat her with respect. Over time, Surajmukhi melts the sultan's harsh, unforgiving exterior and may find the bliss she's always wanted. Rekha, Dharmendra, Jagdeep and Chandrashekhar star in this tale of romance set against the backdrop of Indian history.

Kasam Suhag Ki

1989
Neecha Nagar
6.3

Wealthy landlord Sarkar decides to direct all waste into the village to make space for his real estate project. However, the poor villagers agitate against his plan and the protest is led by Balraj.

Neecha Nagar

1946
Samraat
8.0

Ram and Raju are hired to find out the truth about a smuggling racket aboard a sunken ship. But, a rift creates between them due to a new job.

Samraat

1982
Daulat
7.5

Honest mint employee, Ghanshyam (Shreeram Lagoo) gets framed for murder by Joseph D'Souza (Amjad Khan), and has to flee from the police. He is separated from his wife, Radhika (Seema Deo), two sons, and a blind daughter. Years later, Ghanshyam, after being forced to work for Joseph to print fake rupee notes, is rich and known as Vikram Singh; his daughter and wife are homeless and destitute; his elder son, Ravi (Vinod Khanna) is a burglar at night, and a rich and respectable man named Kunwar Dilip Singh during the day; his other son, Sushil (Raj Babbar) is a police inspector, adopted by the Police Commissioner (Om Shivpuri). Joseph, now known as Tripathi, comes to know that Ravi is Ghanshyam's son, and devices a scheme that will bring certain death to Ghanshyam and his family.

Daulat

1982
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6.7

A forest conservator works with a tribal clan during the British rule over India. He consciously does several marriages to expose the sly men who are playing with the sacred institution of marriage.

Woh Main Nahin

1974
Sajan
7.7

Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.

Sajan

1969
Raja Jani
6.4

Two men make a plan to present a street dancer as the long lost granddaughter of a wealthy queen

Raja Jani

1972
Sawan Bhadon
6.3

Young Vikram (Navin Nischol) stands to inherit a fortune. After living in England for the past five years, he returns home to find his family out of control. His stepmother squanders their wealth, and his stepsister loves a hoodlum. Meanwhile, Vikram falls in love with Chanda (Rekha), a sassy village girl. He soon realizes that his family only wants his money and will stop at nothing to get it. Bollywood star Rekha makes her Hindi screen debut.

Sawan Bhadon

1970
Devar
10.0

A wealthy male starts to self-destruct after he finds that his childhood sweetheart is now his sister-in-law.

Devar

1966
Kanyadaan
7.5

Amar and Rekha fall in love, but their happiness is endangered when Rekha discovers that she was already married as a child.

Kanyadaan

1968
Aulad
10.0

A poignant family drama that explores the sacrifices, burdens, and profound emotional ties of parenthood, revolving around the central theme of a couple's complex relationship with their offspring.

Aulad

1954
Lajwanti
6.8

Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.

Lajwanti

1958
Dr. Vidya
10.0

Due to his preconceived notions about educated women, a man refuses to accept this graduate wife. With no other options left, she turns her life around by completing her studies and starting off her career as a doctor.

Dr. Vidya

1962
New Delhi
6.5

Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.

New Delhi

1956
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7.0

No description available.

Ek Hi Raasta

1977
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N/A

A movie stunt-man is recruited to impersonate a look-alike mentally unstable heir to a vast estate.

Krorepati

1961
Right
7.0

A widower with a child faces challenges after he re-marries without telling his second wife about his first marriage and child.

Right

1954