Nathalie Álvarez Mesén

A British widower in the 1880s Pacific Northwest hires a Native American governess, educated in a Christian mission school, to teach his two daughters. While preparing the eldest for an arranged marriage, a force within her begins to awaken, threatening everything she has been taught.

In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life.

Get ready to explore a dizzying confection of Swedish life and love spanning all shades of the gay experience, from childhood confusion to a teen's coming out, a trio of friends in a three-way relationship, a mother trying to connect with her deaf son and a heterosexual ghost from a homosexual past. The 7 short films are: Coming Out [Komma ut] (2011); Polly (2017); Filip (2015); No Breaks [När bromsvajern släpper] (2008); The Memory of You [Minnet av dig] (2015); Distances [Bortom] (2014); Stockholm Daybreak [Gryning] (2013).

A young father, takes a late night journey through the streets of New York City with his daughter to flee the toxic environment she lives in. Afraid to make a meaningful connection, he is faced with the ultimate decision of keeping her or not.

Witness and explore a whole range of emotions and desires in this series of stories about the lesbian experience. From rediscovering a lost parent in Israel, coming of age in rural Appalachia, finding love in friendship through meditation and imagination, to fending off the competition in a boot-making contest in New Mexico - what Upon Her Lips proves is that variety is the spice of life.

The summer sun sets in rural Appalachia as twelve year old Cadie and her neighbor, Sarah, redefine their friendship in the eve of burgeoning sexuality.

Anna bumps into Jesper on the morning train. She’s never seen him before, but it turns out he knows everything about her. A short film about social media and surveillance in postmodern society.

At fifteen, Milagros' world still revolves around her mother's affection. This summer an unexpected encounter with death will make her question their relationship, her privilege and her own existence.

Sanna is forced to take care of his little brother when their mother is emotionally unavailable.

Seven-year-old Filip admires his older brother Sebastian most of all. They fool around, watch movies and play football together. One evening Filip happens to see something unexpected between Sebastian and his best friend and Filip doesn't know how to handle it.

During a family party in the countryside, we follow Nia and her cousin Teo, whose relationship balances on the edge of what is considered normative. A film about power, sexuality, love and the urge to explore.

Where do you draw the line in terms of how much you can look after someone else? Our characters are mutually interdependent, living in a close relationship that is hard to define on the basis of stereotypical assumptions.

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