Pavel Háša

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Czech TV adaptation of the french novel "La Soupe aux choux", previously adapted for the cinema in France, with De Funès ("Cabbage Soup", 1981).

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

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In 1976, the Czech New Wave philosopher and director Evald Schorm came to the Na zábradlí Theatre. He stayed there for twelve years, until his death. He raised a generation of actors who were aware of their own personalities. In The Brothers Karamazov, the then compact acting ensemble performed in full force on stage. Schorm created from ban to ban (Hamlet, Macbeth, The Brothers Karamazov, Marathon) and in front of Zábradlí, there were queues for tickets in double rows all the way to the Vltava embankment: when the subscription began, people slept outside from midnight until ten in the morning, when the box office opened, in sleeping bags, they brought fishing chairs to the theater. A ticket to Zábradlí was more valuable than Tuzex vouchers...

Owners of all kinds of animals and birds, from puppies to sick calves and grasshoppers, come to the veterinary "hospital". They meet with the professionalism and helpfulness of the doctors and especially with the attending nurse Miluska, who finds a kind caress, a smile and help for every creature. She even gets the doctor to visit a sick grasshopper, which its rather stubborn owner left without treatment. There's a bit of loving reverie on Milushka's part, too, because she liked the young man who came with the mare. But it remained just a nice, if a bit silly dream, because the young man is married. But the daily reality overcomes that bit of sadness and Milushka remains faithful to her patients...

Against the petty, which places its own glory above honest work and honest human relationships. Čapek's Foltýn is from the family of eternally recurring dramatic themes about the conflict between talent and untalent, soundness and dilettancy, vocation and parasitism, of all kinds.

This dramatic story concerns the fateful night of March 14-15, 1939, when President Dr. Emil Hácha was forced to sign a document legalizing the establishment of the so-called Protectorate of Bohemia and Moravia. Screenwriter J. S. Kupka conceived this historical event as a human drama about a man who is faced with the decision of whether to comply with Nazi dictates or risk bloodshed.

A family is spending a hot summer evening at the cottage. The grandmother watches a TV that doesn't work on and off. Her daughter and son-in-law are preparing for a village party. The granddaughter wants to go to the pond with her boy. But her father forbids her to go out just in case. She, however, takes advantage of a TV report about a raging hurricane and tells the gullible grandmother that the storm will soon hit the area. Terrified, Grandma starts saving everything in her reach...

When the Nazi army occupied Bohemia and Moravia on March 15, 1939, the Czech nation faced a period of mortal danger. A few weeks later, Major General Alois Eliáš entered the most dramatic period of his life – on April 27, 1939, he was appointed Prime Minister of the Protectorate of Bohemia and Moravia. This was despite the fact that the Nazis were aware of Eliáš's activities in the Russian and then French Czechoslovak legions, and that he was an advocate of active defense at the time of the Munich capitulation. Alois Eliáš accepted the position in the Protectorate government with full awareness of the risks and dangers: he was aware that by cooperating with the Nazis he would tarnish his name, and he knew that he could not do without feigned loyalty.

A television adaptation of Jan Neruda's short stories The Bachelor and Mr. Carpet's Marriage.

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Life in a rural retirement home is peaceful, with long-standing friendships and rivalries. One day, the residents find a bedraggled, exhausted person lying at the door. The next day, however, the poor woman transforms into a charming lady who becomes the object of attention, especially among the male population. Her charm triggers a strange emotional epidemic in the home – people awaken from their slumber, becoming interested in the world around them, both near and far, and feeling a greater need for tolerance. This lyrical television play by director P. Háši and playwright F. Pavlíček, starring K. Fialová, tells of the remarkable influence of love on human life, even if it is already fulfilled and balanced. On life in the time of rowan berries.

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Christmas is approaching and with it comes moments of surprising events and unexpected encounters. For example, such as those experienced by two inseparable friends and bachelors. Saša is looking forward to finally enjoying life and also really forces Karel to go to entertainment venues. But everything changes by chance, because when Karel moves, he discovers that his first love Eva, whom he once lost due to his indecision, lives on the floor above. The meeting on Christmas Eve turns out to be fateful...

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