Directing
Marcel is a taxi driver who luckily pickups a gorgeous woman who begins to undress herself while in the back seat. Soon she leads him to a Private Club where he can pick any woman he wants to satisfy his sexual fantasies. After he enjoys a few exciting moments with 2 lovely ladies he is introduced to the many characters that make up the Private Club and begins enjoying the sexual games. The Private Club isn't all that's on Marcel's mind though as he is madly in love with Lisa who he met in Paris.
This black-and-white film explores the dividing line between the theatrical imagination and everyday reality in its story of a narcissistic silent movie actor who believes his screen image as a great lover but is in fact a confused bisexual. His girlfriend, also an actress, is also caught up in the fuzzy space between fantasy and reality but feels this as a loss and tries to do something about it.
On a deserted beach bordered by the sea, three characters make incomprehensible movements that sound will later explain. At the same time as these images, some characters dialogue. A couple and a young girl - their daughter? - who remains mute. A dialogue of a great platitude where it is literally question of the rain and the good weather. We then realize that the mute daughter is staging - on the beach - the mother who refuses her desire and the father who makes it impossible. At the end of the film, we see the "parents" at the water's edge leaving the girl alone again.
Disguising himself as a geisha and introducing himself as Madame Mufiko, a certain Max Fox opens a school in Paris where he proposes to teach the Japanese art of love. He recruits a few students, boys and girls, to whom he teaches to imitate the positions represented on old prints. The young people set themselves to it with such ardor that soon the girls are pregnant. In addition, the school is put under police surveillance and the false Mufiko sees her true identity revealed.
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