Jorge Cedrón

In their search for work, a group of workers face familiar frustrations. Cedrón raises his own conflicts and tries to understand their cause. As in all his other films, the director sets his sight on aspects of reality that are not well observed.

Five employees submerged in the basement of a large store in Mar del Plata are grotesquely linked to each other, each trying to feel better than the other thanks to miserable advantages.

In 1956 a military civic coup against self-appointed Liberating Revolution fails, and in Jose Leon Suarez, Argentina, are killed several suspected to be part of the civil uprising. However survive seven people manage to tell the story.

Life and work of the Argentine hero José de San Martín, especially during the time he lived in Europe.

Propaganda film from the Argentine radical political organization 'Montoneros', analyzing the 20th-century history of its country and explaining the present tactical decisions of the organization.

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

A collection of shorts, some documentary and some fictional, showing the political climate in Argentina during the military regime of the late 1960s.

An avant-garde theater troupe works through a series of unrelated episodes on en empty sound stage.

A boy accompanies another to the Maciel Island to sexually initiated with a prostitute. The crossing of the Riachuelo and precarious place show a world outside appearance of the great capital. This first short Cedron anticipates characters in a world that reappear in his later works. Movie considered part of the so-called "Generation 60", the new Argentine cinema.

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