Ana Baird

Nanda must rethink her plansof studying in Amsterdam when she discovers she is pregnant. After losing the support of her boyfriend Léo, the young girl decides to return home, where she suffers a serious accident and dies.However, Helena, her doctor, is able to save her new-born twins: Francisco and Clara. Unfortunately, Clara suffers from Downs Syndrome. Helena feels a strong emotional tie to Clara and adopts her.Years later, the twins’father Léo, a young and wealthy businessman, returns to the scene, wanting to gain custody of the children.However, Helena and Alex fight to the end to retain guardianship of the twins, whom they have raised with such love.

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

Malu Mulher was a TV series broadcast by Rede Globo from May 24, 1979 to December 22, 1980, written and directed by Daniel Filho. The theme song, Começar de novo, was a great hit in the voice of one of Brazil's greatest popular female singer, Simone.

No description available.

No description available.

No description available.

César, a sugar mill owner in Pernambuco, lives in Rio de Janeiro with his wife Maria Luiza and daughters, Débora and Suzy. One day, tired of his life, he decides to fake his own death and assume another identity. César does this with the help of França, the financial director of the sugar mill – which also belongs to Alaor. César and França stage a car accident, plunging off Avenida Niemeyer in Rio and disappearing into the sea. César leaves Alaor on the verge of bankruptcy and Maria Luiza and the two girls in poverty, completely transforming their lives.

The film shows the day when Rui and Vani first met. It was at their wedding (with other partners). Vani was going to marry Sérgio, and Rui would marry Marta in the same church, following Vani's marriage. While waiting for the ceremony, they begin to talk. Complications ensue.

In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.