Pablo Salas

Evocation of the human presence and art of the painter Bárbaro Rivas.

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Filmed during hard and decisive years of the democratic struggle against the regime of Augusto Pinochet, it is the first film in which a group of Chilean filmmakers, without anonymity try to give a global account of the Chilean situation of those days. The film reflects the vision and personal testimony of its director about his country at that moment.

The contrast of the parallel lives of two women personified in a single actress (Delfina Guzmán). Despite the radical differences between their lives, they are intimately connected to each other. Candelaria is a vagabond in Parque Forestal, crazy but happy. In contrast, in a comfortable and luxurious apartment, lives Laura, who is harassed by the greed of her children and her lover, who will not rest until they strip her of her fortune and expel her from the country.

A gang of professional thieves plans how to rob the jewelry store in Bogotá and escape, not imagining that death surrounds them and all because of a red light.

"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán

SOMOS + follows a political demonstration by women who rise up with a unified voice against Pinochet’s military regime.

Documentary series that takes a nostalgic journey through decades of Chilean theater and its history.

4 episode miniseries about the 1973 Coup d'etat in Chile and the dictatorship regime that came with it.

Exclusive testimonies of the actions taken by Chilean guerilla organization FPMR. The stories about the memebers killed in the confrontations against the CNI and the new way of fighting against the oppression Pinochet's dictatorship.

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"Amanda Lear - Live In Concert 1979" is the first live music video title by singer and actress Amanda Lear. Released by VCL Video in 1980, it contained footage from her first tour filmed in Hamburg in 1979. VHS Track listing: "Hollywood Flashback" (Intro), "Black Holes", "Blood and Honey", "Queen of Chinatown", "Enigma (Give a Bit of Mmh to Me)", "Tomorrow", "Follow Me", "Forget It", "Never Trust a Pretty Face", "Fashion Pack". DVD version: "Run Baby Run" (Intro)"La Bagarre", "Black Holes", "Forget It", "Hollywood Flashback", "Just a Gigolo", "Miroir", "Blood and Honey", "Queen of Chinatown", "Enigma (Give a Bit of Mmh to Me)", "Tomorrow", "Follow Me", "Run Baby Run" (Interlude), "Intellectually", "Never Trust a Pretty Face", "Fashion Pack"; Bonus: "L'Interview Confession A L'Elysée Matignon 1978".

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

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During a protest, French priest André Jarlan was shot and killed on September 4, 1984, in the La Victoria neighborhood of Santiago. The residents arrived on foot to the Cathedral demanding justice, also offering a testimony of love and solidarity with their pastor. In parallel, the documentary tells the story of the 1957 occupation that gave rise to the town. It also reveals the strong organization of the residents, essential in addressing the economic hardship and repression suffered by one of the main popular bastions of opposition to the military dictatorship. Pierre Dubois, the parish priest of La Victoria, played a leading role in the attempt to stop the violence against the residents of the town. In recognition of his work, he was granted Chilean nationality in 2001.

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No description available.

Chilean documentary that records a demonstration organized by the collective Women for Life (Mujeres por la Vida), held on August 29, 1988, in Paseo Ahumada in Santiago. During this public intervention, a thousand life-size black silhouettes were placed throughout the street as a symbolic memorial to the victims of repression during the military regime of Augusto Pinochet. The action sought to make visible the detained and disappeared, exiles, political prisoners, and all those affected by political violence in Chile at a time when many of these realities were still being silenced. Through the documentation of the protest, the film captures the collective’s call to remember and to keep historical memory alive, while the demonstration is eventually met with violent police repression.