Yau Kei

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Yu Sung Chi was separated from his wife and young daughter during the war. When he fled with his eldest daughter Yu pak Mei, he adopted the orphan Ho Chi Kwong. He cultivates light and becomes talented, and even wants to marry roses to Kwong. When Kwong was preparing to open a branch factory, he fell in love with his secretary Yu Bik Lin, and later decided to marry Lin. Mei wanted Lin to leave Kwong, Lin wanted Kwong's future, left a letter and left, but Kwong published a newspaper to search for her, but to no avail. On the day of Kwong and Mei's engagement, they received news from Lin. Kwong resolutely gave up everything to be with Lin. Yu visited Lin and asked her to leave Kwong, but when he saw a photo of Lin's mother, he realized that Lin was his lost daughter. Mei learns that Lin is her biological sister and decides to let Kwong go. A few years later, Kwong and Lin realized that Mei had a happy family.

Hong Kong horror thriller from 1961.

No description available.

No description available.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

This is a Shaw Brothers production

good luck in HK

A Shaw and Sons production

A Martial Arts film by the Shaw Brothers

HK horror film.

A Chinese Opera film by the Shaw and Sons studio.

A Shaw and Sons production.