Giorgio Garini

In autumn 1943, in Gross-Partsch, 26-year-old Rosa, who had come from Berlin to stay with the parents of her husband Gregor, who was fighting on the Russian front, was taken by the SS to a mysterious place. Forced to taste a dish, she joins the group of tasters responsible for checking that the food destined for Hitler is not poisoned.

Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.

Teo has a good job, a fiancee, a lover, no intention to assume any responsibility in his life. Meeting Emma, a blind woman, will upset his convictions.

Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

A Donatello award nominated short drama about a wandering family, including a lady about to give birth, who get caught up in a the filming of a scene from a movie.

The œuvre of poet Raffaello Baldini (1924-2005) through the words of those who knew him, the poems he himself read, the fragments of his monologues, his beloved Romagna landscapes.

Anthology of urban stories form seven Italian directors.

A journey through a century of Ambrosoli family history.

Documentary about the then-blooming Milan rock music scene.

Blue-collar workers, executives, and other people at the Pirelli Bicocca plant talk about the upcoming shutdown of the factory. It's the end for a piece of history of Italian industry and also for a place of memory of workers' struggle: the movie documents the different reactions and scales of awareness determined by class belonging to the functions held in the factory by the interviewees.

Giulia has a one-night stand with a stranger to forget a heartbreak. Aimlessly walking through October city streets to let off steam, she meets a woman who came from Turin seeking an explanation from her partner, who doesn't even want to see her. The two join forces and settle accounts with him. Neither of them feels like going home and being alone, so they spend the whole night wandering around Milan.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy.

Impaired vision-friendly documentary about blindness.

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