Bertha Navarro

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

Five men are hired to paint the yellow line the road between two villages in Mexico forgotten. Aboard an old pickup truck, initiated the work of more than two hundred kilometers of asphalt and yellow paint to be completed in less than a fortnight

Esmeralda is a teenager with an unusual obsession: she collects lost, forgotten or discarded objects from people she doesn't know and keeps them in a box beneath her bed. This is the tale of three objects in the box and the people behind them, all in some way incapable of relating to the person they love most. It is also a tale of the box itself, and of how Esmeralda learns to open it, to feel and to hoard the most valuable thing of all: human relations.

A romantic thriller about a construction worker in hiding for killing his foreman who hides in the mansion where his girlfriend works as a maid.

1931, a year of nationalisms and excesses: The Chinese are expelled from Sonora; the US deports Mexicans and closes its borders. Twelve desperate people cross the Sonoran desert in a 1929 Chrysler, hoping to find peace in Baja California. As their sojourn exposes both the best and the worst of human nature, racism, greed, and paranoia prove as deadly as the merciless landscape around them.

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

Dr. Fuentes is a medical professor approaching his retirement and journeys to find old students, with sometimes disturbing results.

In 1528, a Spanish expedition flounders off the coast of Florida with 600 lives lost. One survivor, Alvar Nunez Cabeza de Vaca, roams across the American continent searching for his Spanish comrades. Instead, he discovers the Iguase, an ancient Indian tribe. Over the next eight years, Cabeza de Vaca learns their mystical and mysterious culture, becoming a healer and a leader. But soon this New World collides with the Old World as Spanish conquistadors seek to enslave the Indians, and Cabeza de Vaca must confront his own people and his past.

Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them.

Miguel is a lonely boy letting his life pass by in a monotonous routine. He works in a public kiosk, takes care of his mother Consuelo and dreams with Carmela's love, one of his usual clients. One day, this perfect bubble of dissatisfaction pops when his mother dies. The tragic event, forces him to face his past and to make a radical decision: find the father that abandoned them, with the intention to kill him.

In the Yucatan coast of the thirties , Elisha, a boy of 13, is initiated into the art of love by Felipa , his schoolteacher. After discovering the relationship, Felipa runs away from the village , leaving Elisha mired in nostalgia. Forced to marry another woman and lead a routine life , recalling the years passed Eliseo romance with Felipa until ten years later, the woman returns , removing his wounds and changing forever the life of Elisha , his family and the whole town

Two families dispute a land with a land dealer.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

Teo, an intrepid child, lives with his father Luis in Lima, an electrician devoted to the creation of a strange machine. Lured by a feeling of independence, Teo joins a gang of young criminals, bringing turmoil to the relationship with his father.

A film about the 43 students from Ayotzinapa who disappeared.

The coming-of-age story of young milkboy Martín (García Bernal). While his friends Jesús (Altomaro) and Roberto (Mora) are cocky and apparently they have a lot of experience in sex, young Martín is shy, quiet and virgin. Everything changes when the young cocky boys want to prove they're men and go to a brothel without Martín.

A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.

This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.