Wong Chiu-Miu

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Comedy from Hong Kong directed by Chiang Wai-Kwong.

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

Hong Kong comedy horror from 1953.

The Opera Boat at Star Island 星 島 紅 船 (Xingdao hongchuan) (1955) aka The Opera Boat in Singapore is a Hong Kong film in the Cantonese language of the comedy and musical genre, directed by Ku Wen-Chung and produced by Shaw Brothers Studio.

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