Editing
Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.
The story a rescue, the rescue of a bad brat's life in the post-WWII period. In 1947, Roger reaches 11 years old. He's a kid badly loved, mischievous and specializes in silly things to do. He is sent to a small boarding school in a small village. Mumu reigns over here. She's not the bitchest school teacher of the area. Roger has already been expelled from several schools and this is his last chance to avoid the reformatory his father has been promising him for a long time. But this is will change with the vigilance of Mumu, who, despite her strict aspects, proves herself to have a big heart.
A Kafkaesque story of a guy interviewing for a job.
When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.
After ten years, Jacques comes back to France to handle his father’s succession. He had left France to live in the USA to escape a painful past he shared with Mado, his former wife, who in the meantime built a new life with Stéphane and their 7 year old son, Paul. Upon his return, Jacques and Mado meet again; he asks to meet her son Paul; Mado hesitates, then accepts but hides it from her husband. Soon, Paul and Jacques get close and they start to see each other secretly.
The lifestyle, self-styling and political opinions of Chechen dictator Ramsan Kadyrov are examined in this documentary.
A sensitive portrait of Sabine Bonnaire, the autistic sister of the french actress Sandrine Bonnaire.
Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993.
The new documentary made from the Slánský trial film and audio archives found by chance in 2018 in a warehouse in the suburb of Prague served as a starting point for the film. The director tells the trial through the descendants of three of the condemned: the daughter and grandson of Rudolf Slánský, the son and granddaughter of Rudolf Margolius, both executed after the trial, and the three children of Artur London, sentenced to life imprisonment.
On the night of November 13, 2015, a woman who lives behind the Bataclan and a man who happens to pass by help the injured as they flee the terrorists and the hell of the attack. A few days later, they are contacted by the people they rescued, who want to meet the strangers who helped them that night. The man and the woman meet again. Is the passion they feel real? Or is it just the romantic illusion they invented to compensate for the trauma they experienced together? From hospital rooms to cafe encounters, from individual destinies to love stories, from suffering to resilience, from anger to fraternity, the film portrays the days following the attacks and each person's journey to find their way back to life.
The Emerson String Quartet records their last album, Infinite voyage, in three days, after 47 years of music together. For this farewell, the string quartet invited soprano Barbara Hannigan to join them, and a film was born. Their precise, inhabited work, the moments of enthusiasm and fright, the research and the jokes, the evening meals and the morning confidences, the age limit of these men and the flamboyance of this woman nourishing each other, the admiring friendship full of irony and joyful rigor, the craft and yet the discovery, the humor as a cog towards concentration, the individual and the group… all this composes a portrait of the usually invisible making of music. Before everyone goes their own way.
Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.
