Acting
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The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.
The Kunlun swordsmen carries out a rescue mission to save the little boy who has been abducted by the evil monk. Eager to take revenge on the Kunlun Sect and carry on with his plot to cause chaos, the evil monk seeks help from his fellow brother who uses sorcery to shrink people.
Koo Tai-cheung is the boss of Tai Luen Company. His son, Koo Man-kei, has just returned from studying overseas. Though he wants to be a teacher, his father forces him to work in the company where he meets Ting So-ha, a secretary. They become intimate, arousing the displeasure of cousin, Lucy Pak, whom Tai-cheung has secretly chosen to be his daughter-in-law.
A marriage for sale leads to the murder and attempted destruction of the body of a great young man for the sake of his lover.
Comedy from Hong Kong directed by Chiang Wai-Kwong.
The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.
This movie depicts a pair of lovers, who were denied freedom of marriage during their lives, and after their deaths, they are transformed into mischievous ghosts. With their strange and unpredictable powers, they are able to frighten all the characters in the play. The bridegroom, the policeman, the dancers, etc., are all frightened by the ghosts. The only one who is lucky enough to meet them is Charlie, who makes a lot of jokes.
Teacher Huang San extends to his pupils the high principles of patriotism, thus arousing the hatred of the occupying Japanese. Huang is forced to flee and to escape from the Japanese clutches. One night, he helps a robber escape from a pursuing Japanese officer by firing his gun and thus unintentionally kills the Japanese. Huang San follows to his hideout and from then on, Huang San joins the bandits. Huang San attempts to rob a house but discovers that the occupant is none other than his student Wang Zhongkang who is involved with the guerrillas. Huang San decides to help Zhongkang raid the military arsenal of the enemy. However, as Huang gradually gains the trust of their chief, some jealous associates within the bandit group informs on him. Huang and Zhongkang carry out their raid amid a fierce confrontation, Zhongkang successfully implements his mission but Huang is killed in the battle.
This is a film that celebrates the moral function of art. Sun Ma Si-tsang, at once a master Cantonese opera actor and a talented comedian, showcases an oft-overlooked style of singing, presenting it as an inspirational force that saves life and betters relationships. He plays the titled character, who doesn't operate a boat and is nowhere near bodies of water, but an artist specialising in the Dragon Boat style of music. Forced to perform on the streets to make a living, he ventures into situations manifesting the many societal problems that plague Hong Kong, inspiring and elevating common folks with his artistry. He stars alongside Leung Sing-por in a classic animation of comedy partnership, generating laughter from the interactions between players of contrasting body types.
Club 99 is not just a hideout for triad gangsters, but also a haven for smuggling jewelleries from robbery. When detective Law is investigating a jewellery heist, he is ambushed by the men from Dog Stone (Sek Yin-tsi) who is the owner of Club 99. Then, Law's daughter Fong (Law Yim-hing) helps her father to be undercover and disguises herself as a dancer in the club and gambler Lung (Lam Kau) is also an informant for the police force. While Dog Stone is cunning enough to discover their identities, there are in fact more undercover agents in the club...Influenced by Hollywood's semi-documentary style, the film has a detailed yet complex portrayal of human nature－undercover anxieties, domineering gangsters and moral ambiguity. With its realistic chasing and action sequences, the film is nonetheless a very entertaining piece of cinema.
Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.
My Loyal & Faithful Dog
When both sides of the family move in with a married couple, chaos reigns.
A prodigal son is married to a woman his mother dislikes. The wife is then expelled from the family circle and forced to become independent.
Starring in numerous singing films, Zhou Xuan was one of the most beloved singers in both cinema and recording industries for her 'golden voice'. Popular nightclub singer Zhu Lan (Zhou) is originally in love with impoverished painter Fang Zhiwei (Gu Yelu), but is taken advantage of by rich playboy Ye Chunhua (Wang Hao) at her most vulnerable time. To add to her misfortune, Zhu discovers her being an adoptee. She also learns the heartbreaking truth about her birth parents which intertwines with her own life across generations. Eventually, irreversible tragedy awaits with revenge exacted for past wrongs. In a case of art imitating life, the songstress's life and upbringing resemble Zhou Xuan's own, making the film even more heart-wrenching. The 'Song Fairy' Chen Gexin composed the film's entire music with six songs sung by Zhou. 'Song of a Songstress', sung towards the end of the film, adds poignancy to the film with its discourse on the joy and sorrow in life.
The film depicts the lives of Guangdong peasants who have gone through the suffering of the Sino-Japanese War only to experience home-grown oppression by a rapacious landlord in their village.
