Acting
Jing meets Hu Yanjuan, a woman who sells medicine, and gets mocked by her. Seeking revenge, he tricks her father and switches their medicine with rocks, causing them to be stopped from selling it. Yanjuan investigates and discovers Jing's deception. Jing pretends to ask her to teach him martial arts, and she uses this opportunity to teach him a lesson.
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Hong Kong romance.
Carrying over the idea of everyday people doing all they can to make a living from the ‘Two Fools' series, director Chiang Wai-kwong brings ‘the fools'–Sun Ma Si-tsang and Tang Kei-chen–together once more for another wonderful farce that also cleverly touches on gender politics. After the first half shows the two stars' silly antics to earn their keep, the film dials up the romance in the second half as Sun Ma Si-tsang's character does a double gender reverse to pose as a woman's rich boyfriend. The film also touches on traditional men's frustrations as employers favour women.
The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.
Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!
The town is rumoured to be haunted. Cheung Siu-chen pretends to be possessed so that her lover Lau Tin and his friend Lee Luk may heroically exorcise the ghost and curry favour with her father. Driven by greed and lust, the attendant of the ancestral temple and his underlings cast an enticing spell on Cheung and claim that Cheung is possessed with a fierce ghost. Lau and Lee expose the hoax and redeem Cheung. Cheung's father happily gives his consent to the marriage between his daughter and Lau.
HK horror film.
The Song Dynasty is in danger after being invaded by Jin soldiers. The geisha Liang Hongyu encourages her lover Han Shizhong to join the army and fight against Jin Zhong's superior, Wei Liangchen.
Xin Liangxiang lost his job and fell into poverty. One day, his wife fell ill, and Xiang stole milk to feed his young child. He was caught by a fat policeman, who fortunately let him off the hook. Later, Xiang, at Jia De's instigation, tried to swindle a jewelry store owner. After the scheme failed, he was arrested again by the fat policeman and sentenced to three months in prison. The fat policeman promised to take care of his family, for which Xiang was extremely grateful.
The film is adapted from Chinese classic comic series Mr Wong, with Tang Bik-wan joining hands with the magnificent Sun Ma Si-tsang and Tam Lan-hing to give a dazzling performance. Wong (Sun Ma Si-tsang) passes off as the company's manager to pursue the beauty Hui (Tang Bik-wan) behind his fearsome wife's (Tam Lan-hing) back. Unbeknown to him, Hui is actually the fiancée of his nephew (Sima Wah-lung), to whom he has refused to lend money. Scenes in which Hui plays pranks on him and tricks him into providing funds for her are spiced up by the lively acting of Sun Ma as a wife-fearing perv and Tang as a sassy girl with a sharp tongue. The film ends with Wong making excuses to meet Hui at a hotel but getting caught by his feisty wife. Whilst both are acclaimed comedians in their own right, brassy Tam and composed Tang together pull Sun Ma's leg in an unmissable classic slapstick.
Following the success of Two Fools in Hell (1958) and Two Fools in Paradise (1958), Sun Ma Si-tsang and Tang Kei-chen team up for the third film in the series. The two fools have finally finished school, but their road to steady employment is fraught with obstacles. Things get worse when their troubled former classmate sets the two heroes up for murder. A spirited take on The Man Who Knew Too Much (1956), the film even includes a cover of Que Sera, Sera as the theme song against hoodlums.
Law Hing is forced by her stepmother to marry the dumb son of the Tang family. Another girl Au To is forced to marry Ma Siu-fuk, son of the rich Ma family, to pay off her father's debts. On the wedding day, To's lover See Fuk-chau returns from Vietnam. Deeply in love with Fuk-chau, To decides to go to the Ma family to decline the arranged marriage. To avoid the Ma elders and her father from losing face, she begs Siu-fuk to stage a pretended marriage. As the wedding ceremonies proceed, To's bridal sedan collides with Hing's in the street. The carriers lock in a row and a confusion reigns in which the brides take the wrong sedans. To is mistakenly taken to the Tang family, while Hing is sent to the Ma family. Although Siu-fuk is attracted to Hing, he agrees to send her home. The four families attempt to settle the case in court. The judge rules that the previous arrangements are but trades and declares them null and void. Fuk-chau and To can now fulfill their wish.
Chinese Opera from Hong Kong directed by Chan Pei.
A fortune-teller tells Ng Sze-tak that his days are numbered. His friend Chu Tai-fat is told that he will soon win a lottery. Soon, Chu's prediction comes true. Ng lives his days in terror until he realises that everything is but a false alarm.
