Poon Yat-On

The New Tale of the Flying Crane (Part 2)

Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures.

Third Sister Tai marries Dunce Lau and her life has since been between laughter and tears. At the birthday party of Tai's father one year later, Lau's wit suddenly comes back to him. Lau turns the occasion into a stage for displaying his talents and makes fun of his two brothers-in-law who used to despise him.

On his way to Lin'an, Lee Tsi-wan survives an attempt on his life by an employee but loses his memory. Maid Siu Yuet-mui of the Sek family comes to the help of the distressed. Lady Sek marries Siu to Lee to vanquish her husband's licentious interest in the maid. The loving couple raises a daughter Siu-fa. A few years later, Wan is hit on the head away at work and regains his memory. The homesick traveller returns to his native home, leaving behind Siu and daughter. The mother and daughter look for the missing man but he hasn't the faintest idea who they are. Apprehended by the incident, Siu plunges into depression. One day, Lee passes by the stone house where the couple used to live in and recalls past episodes of his marriage. The family is happily reunited.

A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.

Comedy from Hong Kong directed by Ng Wui.

Hong Kong horror comedy from 1959.

The New Tale of the Flying Crane (Part 1)

Impoverished scholar Leung (Yam Kim-fai) became a widower and his in-laws give him 30 taels of silver to find a new wife. He gives the money away to help an old man, a kindness witnessed by the young woman To (Fong Yim-fun), who is impressed and smitten. Needing to introduce his ‘new wife' to the in-laws, Leung seeks help from his cousin (Tam Sin-hung), whose husband Wong (Poon Yat On) had just bought To as maid, lusting after her. The cousin loans the maid to pose as Leung's wife but the jealous Wong poses as their servant to keep watch, creating hilarious havoc that fails to hinder the love developing between the scholar and the maid.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

No description available.

Chinese Opera from Hong Kong directed by Lau Fong.

In search for her perfect groom, Sit (Tang Bik-wan) goes to a bordello and falls in love with talented Lee (Mak Bing-wing). Burning with jealousy, the Imperial Tutor's son (Siu Chung-kwan) frames Lee for treason, yet accidentally gets killed by Sit when she rescues Lee. To avenge his son's death, the Imperial Tutor tricks the couple into joining force in overthrowing the emperor and plans to accuse them of treason. Sit, who turns out to be the emperor's long-lost daughter, follows Lee to the palace for investigation. In the film, Tang Bik-wan put on various guises in her character, e.g. dressing as an ugly and Zhongshan dialect-speaking woman when she weds, disguising as a man while investigating. She proved herself a well-rounded diva with her marvellous singing, switching between different dialects and operatic styles. The scenes with Mak Bing-wing also show great chemistry, as the duo evolve from quarrelsome lovers to husband and wife.

The town is rumoured to be haunted. Cheung Siu-chen pretends to be possessed so that her lover Lau Tin and his friend Lee Luk may heroically exorcise the ghost and curry favour with her father. Driven by greed and lust, the attendant of the ancestral temple and his underlings cast an enticing spell on Cheung and claim that Cheung is possessed with a fierce ghost. Lau and Lee expose the hoax and redeem Cheung. Cheung's father happily gives his consent to the marriage between his daughter and Lau.

Eighteen Marriages of a Smart Girl

Fok Tats scheme to raid a convoy of government reserve is intercepted by 'Ghost Knight'. Chau Ping, an accomplice of a corrupt official, declares wars on Fok whom he believes has ties with the mysterious raider. A meeting was convened by Ghost Knight to settle the dispute. Tat's son Sze-chuen learnt that his maid Ma Yuk-lan is the daughter of a general of the ousted Ming court who has donned the mask of a knight-errant to protect the son of the Ming minister Sze Ho-fat, Sze-chuen himself. Back in Deadly Valley, an impostor of Ghost Knight was caught. Slashing at the father, Sze-chuen is disheartened to learn that the faker, Ma's mother, has been transferred to the enemy camp in a feigned surrender orchestrated by Sze while an uprising is gathering momentum funded with money robbed from the corrupt official. Ma teams up with the father and son to storm the Chau Fortress and rescue Ma's mother. The couple champions the restoration of the old empire with Sze's seal.

The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.

A man kills his wife then frames his sister-in-law for the murder.

Ghost story (originally released in parts 1 & 2) based on a Chinese opera.