Ariadna Asturzzi

An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.

An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."

Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

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Two men kidnap the daughter of businesswoman Claudia Villegas. They take her out of the city and keep her locked up, while awaiting further instructions. The boss realizes that Villegas' daughter was never kidnapped and sends two men to the abandoned factory to clarify what happened. Upon arrival, they find the girl, hooded, and tied to a chair. There's no clue of the kidnappers either. Slowly, someone appears - they say that the heart can not feel once it's stopped beating

A feature film that intertwines a handful of short fictional stories marked by the anguish that the death of loved ones always causes: two women who miss the same man, an old man who returns to the place where he lived experiences that left a mark on him in his youth, a rural town invaded by its own memories, and a mother who reunites with a son whose life hangs in the balance after insisting on unnecessary distancing.

Paula travels to a mountain town looking to overcome something that has happened to her and thus carry out a job that has been assigned to her. Upon arriving at the house, immersed in the vegetation, he finds the mysterious presence of a child. Both, solitary beings, share the passing of the days until he notices some strange behavior in him.

On his birthday, young police officer Francisco Revenga is sent on duty in the middle of the Patagonian steppe. During the journey, he stops for supplies at the Mustang, a combination general store and brothel. There, compromising images related to human trafficking are recorded on his cell phone. Over the next few hours, Francisco will discover the video, which will force him to make a life-altering decision.

After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.