Shirikiana Aina

On a photo shoot in Ghana, an American model slips back in time, becomes enslaved on a plantation and bears witness to the agony of her ancestral past.

A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.

Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.

In a personal quest, filmmaker Shirikiana Aina made this documentary capturing her efforts to learn more about her father, who died when she was a child. A Michigan man descended from slaves, he was labeled a radical by the FBI. Aina traveled to Ghana, documenting an oral history of slavery in Elmina, a port where Africans were warehoused before shipping to the New World. She also filmed African-Americans who have established a colony in Ghana, choosing to raise their families there.

In 1957, Ghana was the first African country to become independent of its colonial rulers, in this case the British. Kwame Nkrumah, the first president of what in 1960 became the Republic of Ghana, called on Africans from all over the world to come to Ghana to help build the new nation. The most important aim was to "undo the damage caused by the slave trade" as filmmaker Shirikiana Aina expressed it in her documentary Footprints of Pan Africanism. Several people speak in Aina’s film about the reconstruction of Ghana and Nkrumah, who was deposed in 1966, offering room for their frequently gripping personal stories. These are often marked by racism, the emerging civil rights movement and what it’s like to be black and live elsewhere. For many, returning to Africa was like going home.