Lionel Fisher

Twenty years after seeing his family decimated by gunmen, Ben Silver returns to Albuquerque to take revenge on the person responsible for the massacre, but falls in love with his rival's daughter.

Helena and Luciana are two supermodels with completely opposite personalities: the first is stormy and spoiled, while the second - being older - is patient and restrained. Their fate changes when Helena becomes involved with Marcos, Luciana's father, an older man recently divorced from a former model, Tereza, who does not accept the end of the marriage.

Serafina is a romantic young woman who dreams of experiencing great love. Claude is a wealthy businessman who is in the country illegally. The two make a deal that will transform their lives.

Tancinha is a charming fruit seller known for her hot temper who gets torn between an explosive relationship with passionate truck driver Apolo, her neighbour and childhood sweetheart, and an irresistible attraction for Beto, a lady-killer who will not take no for an answer. The girl ends up being caught up in a family feud over the disappearance of her father whom she believed to be dead. Tancinha will leave a path of turmoil along her way to unveil this mystery.

Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who was just left by her husband When Diogo calls Angela, she thinks it's her husband calling. She starts having a relationship with the silence on the other end of the line. But when she finds out it's Diogo, she's disgusted. She's furious. But, most of all, she's attracted to this person who showed so much interest in her. The only person who called her every day. Diogo helps Angela see that she can have a new beginning and she shows him his way to independence. But they have to face a number of obstacles: There's the age difference, Diogo's mother, and, especially, his own path to adulthood.

Machado de Assis, the most famous Brazilian writer, is transported, without further explanation, to current times. Received with skepticism by the Brazilian Academy of Letters, where he will be questioned by immortal colleagues who suspect they are dealing with an imposter, Machado defends himself vehemently. Is he the true Immortal, founder of the Academy?