Isabél Zuaa

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

When high school teacher Tomás finds the bloodied, dying mayoress of his hometown high up on his local cliffs, he not only becomes obsessed with the case but turns into its first suspect. Though solving the case is local cop Maite's job, Tomás doesn't care if his own private investigation gets in her way. Solving the case might just give Tomás' life the purpose he has been silently dreaming of for so long. Though clashing more than once, the two of them come close as can be to finding the murderer: Norma, Tomas' very own physiotherapist. She killed the mayoress in a fit of rage after finding out one of her many dark secrets - one that lies many years behind but one that has deeply affected her and her family. A twist of fate has it, however, that Norma remains undiscovered; her former fear and powerlessness turn to empowerment and confidence. Then a second murder stirs up the waters. Now an unlikely team, Maite and Tomás resume the hunt for a murderer who is closer than they imagine.

In the middle of the 2008 global financial crisis, Vanda finds herself alone and broke, with two children to raise. She embarks on a string of bank heists using a blonde wig and a toy gun and, in the process, becomes a folk hero.

Vitória Neves, a strong woman and dedicated teacher, always focused on solving the problems of her students and colleagues, even if this means leaving her personal life and family balance behind. The ones who suffer most are Pedro, her teenage son, and Salvador, her husband. Sofia Neves, Vitória's sister, an artist who lives in London, is opening her first major exhibition when she receives the news of Vitória's suicide.

In this supernatural thriller, the dark mysteries of the quest for immortality take over the scorching rural roads of the Goiás countryside.

Cristian Nazario abandoned his family to climb Mount Everest and now returns home with terminal cancer. His homecoming brings to light his troubled family relationship and Brazil’s social situation: he is the fourteenth Brazilian to have climbed Mount Everest, but the first black man among them.

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.

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Obsessed with questions about his past, a bankrupt, white Brazilian filmmaker undertakes an epic journey from Brazil to Mozambique and Portugal. This melancholic fable mixes animation, live-action, voice-overs, genres, and continents to explore Brazil's colonial past.

The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

Lisbon, 1980s, Rosa, a woman joins a group of young people disappointed at the post-Revolutionary Portugal. Part of a far-left clandestine armed organization, they share political views and a daily life that makes them grow closer. But their idealism collides head-on with a changing country and a large-scale police operation targeting them. Fleeing on a road with no return and no way forward, their existence is made up of bank robberies, bombs, friendships, prison, love and death. Trapped, their only choice is to keep on the run until they get arrested or killed.

Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

On the shores of Lisbon, Arriaga, a 25 years old boy from a middle-class family of emigrants walks alone through the silent and wrinkled streets by vices of the nightlife. Arriaga deals with his self-destructive alter ego to be accepted among the youth of his neighborhood. Everything happens in one place, everything revolves around a single moment, what is suspicious only the unexpected can unfold.

Strike on the red carpet.

Isa, a young artist invited to propose a project for an exhibition, sets out to stage a dramatic adaptation of ‘The Posthumous Memoirs of Bras Cubas’, a satirical 19th-century novel by Machado de Assis. The rehearsal is marred by difficulties which the viewer must interpret as being due to the fact that Isa is a woman, young, black, all of the above, or as difficulties anyone would encounter.