Ariel St-Louis Lamoureux
Directing
Known For

Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.
Léa devant la caméra
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Matrimoine

In New France before the British Conquest, Marie, an indigenous slave, serves the local surgeon. Her daily life of household chores is bleak and alienating. The encounter with a young girl she presumes to be her child will give her motivation to undertake radical actions.
Katshinau

Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their techniques, objects, and textile traditions give rise to stories that overlap. Their clothing reflects on identity and otherness.
Interwoven

A group of jilted souls have found refuge inside a forsaken neighbourhood scorched by brutal violence, fire and destruction. They try to build themselves a home but the memories of the place still walk among them.
What Remains After We're Gone
Made in collaboration with the Cree community of Waswanipi, this is an extraordinary documentary that is equal parts observational and poetic. Shot over a year, co-directors Nicolas Lachapelle and Ariel St-Louis Lamoureux follow a group of children through their daily life. A generous and human meditation on identity and place that's unfettered by an issue-driven hook or an imposed narrative, this is the rare sort of film that transcends categorization, becoming a beautiful work of art to behold.