Maurício Branco

Fashion designer Andréa Vargas finds out the hard way she is adopted. The relationship with her sister Júlia had always been difficult, since childhood, and the antagonism grew when Júlia came between Andréa and her first true love, Diogo. But the worst is still to come: her first assistant in her atelier, Selma, is having an affair with her husband Bruno.

A teenager who dreams with a career as a top model becomes part of a prostitution scheme and meets a powerful and obsessive businessman. As a last resort, he marries the girl's mother just to be near her. This series explores the limits of obsession, wealth and pleasure, using the fashion world as backdrop.

Diogo is an upright judge, professionally recognized, married to the submissive Antônia, with whom he maintains a relationship of appearances, only to preserve the family institution. Diogo falls madly in love with Bettina, and the two have an affair. Deciding to fully embrace their passion, Diogo and Bettina plan a trip together, but he ends up not having the courage to abandon Antônia and leaves his lover waiting at the airport. Upon realizing she is alone, Bettina despairs and suffers a serious car accident. Her brain death is diagnosed, and her heart is transplanted into Paloma. Upon learning of Bettina's death and the transplant of her heart, Diogo, feeling guilty, becomes obsessed with the idea of ​​getting close to Paloma, believing that in doing so he would be close to the heart of the woman he loved. Paloma is a young woman who abandoned her fiancé Tavinho at the altar to marry Juca, her first boyfriend.

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After being fired from his job and have his unemployment insurance money robbed, a young man decides to become a robber himself. While escaping authorities, he meets a female teacher of whom he takes hostage. Things get complicated when they fall in love with each other.

Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.

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Carmen D'Aléssio, the public relations powerhouse behind New York's legendary Studio 54, tells her story before, during, and after the peak of her notoriety. Instrumental to much of the club's international success, Carmen recounts how she paved her own path to the top.