Alam Surawidjaja

Didi, loves to play marbles, and has a lucky marble that he calls Si Jimat (Lucky Charm). When his father sends him to buy a box of matches, he is tempted to play a game with his friends. Then a “sunatan” procession (children’s circumcision ceremony) passes by. His friends leave the game to follow the procession. Didi also forgets to take Si Jimat and the box of matches. Another boy finds the matches and accidentally starts a big fire. When Si Jimat is found nearby the burnt matches, Didi’s father is furious so Didi runs away from home and goes to the top of a chalk hill. Didi’s parents are frantic and when they can’t get him down from the hill, an Air Force helicopter finally rescues Didi.

Rano (Rano Karno) was separated and lost his father at Jatinegara Station in Jakarta when he got off the train. Luckily, he met a kind-hearted fryer. Amin (Benyamin S), who then took him home.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

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Abdul Kadir Zailani, an expert thief, gets out of jail and starts stealing again. He steals Vera’s bag as she is returning from shopping. Zailani spends the money, and then, out of cheeky curiosity, returns the bag to Vera, who is a daughter of the famous lawyer, RM Kertodimejo. Hence, Zailani is offered a job as a driver. Soon love grows between Vera and Zailani. But Vera is already arranged to marry Hendro who is still studying in London and her respectable parents of course disapprove, so Zailani is fired. Vera becomes very ill as a result and Kertodimejo’s heart relents. Zailani, who has become a bus driver in Medan, is asked to return to Jakarta.

A psycho starts killing women (including a striptease dancer) and raping their corpses. When that doesn't work out for him, he digs up graves and has his way with the bodies. Police attempt to trap the corpse rapist by baiting him with a beautiful policewoman.

About a village boy who comes to the city. It turns out that he was successful in a big city like Jakarta and he achieved more results than city kids.

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

Set on 24 March 1946 in Bandung, when the city was engulfed in explosions as if it was a sea of fire, the battle scenes between Indonesian and Dutch dominate the film. The main plot line is the conflict of Nani, a Red Cross nurse, who loves Priyatna, an ex PETA fighter. Meanwhile, Hidayat, the commander of Priyatna’s troop, also likes Nani. It is a small story, within a war, that ends with the death of Hidayat.

Luka Tiga Kali is an 1965's Indonesian Film Drama.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

On the trail to catch the killer of his brother, Achmad easily defeats a bandit who challenges him. This impresses Citra, a child, who since then follows Achmad wherever he goes. When they come to a village threatened by robbers, Achmad stops and tries to solve the problem. One of the tough guys of the village, Wirya, notices Achmad and is impressed by him and Achmad’s religious devotion. He becomes friends with Achmad and asks him to agree to his condition not to bother Aisah, a village girl, who is actually in love with Achmad. Then the robbers launch a major attack, which Achmad repels. From the defeated chief, Achmad finds out that Wirya is the killer of his brother. Wirya admits killing Achmad’s brother, for committing crime and adultery.

After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

Suci’s performance is exaggerated when she is with Oom Kapten, Mr. Dawud and Mr. Condro. The three men are her clients and she is mistress to them. But Suci, the prima donna of the people’s theatre (a srimulat troupe, a traditional theatre style from East Java), who performs in a squalid village area, has her own dreams.

Love story in which the girl's parents disapprove of her boyfriend because he was accused of killing his former wife.

Christina has to deal with a corrupt bank president father, a cutthroat and backstabbing sister, an unfaithful lover and a gigolo plotting to rob the father's office.

Ahmad and Nuri work in the same bank in Jakarta. Ahmad loves Nuri, but Nuri has set her heart on Yanto from Bandung. Unfortunately, Yanto is attracted to Lila, while Lila is interested in Darso, the brother of Nuri. This five-sided love story becomes more colourful when Lila’s father’s cheque disappears. Then the bank sends Ahmad to investigate the case.

Mysterious blind man Mata Malikat arrives in a small village and disrupts the peace, starting with killing one of the village's most respected fighters. The fighter's son then tries to avenge his death.

In a university campus, most of the rich kids are driving sedans, except for the lovely Narti, who rides a rickshaw. Iwan, a friendly and sympathetic guy, rides his motorcycle, and they soon develop an intimate and playful relationship. There are also others such as the shy Hendro, and the disheveled and free-spirited Tari. The drama concerns some conflict between Iwan and his father, and also Narti’s parents’ attitude toward Iwan. The film highlights the young social life on campus and the appeal is in the fresh dialogue, which is sometimes critical.