Shayan Chowdhury Arnob

A heartbreaking tale of a poor yet honest young man as lies, conspiracies and a horrible betrayal by his rich and influential employer leads his life towards uncertainty.

Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.

Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.

Rudro, a young sculptor, moves to a remote Bangladeshi beach village after the death of his conservative father. At first he is welcomed by the locals, but after the fishing shoals they rely on start to disappear, Rudro is harassed by the village chairman's men and his progressive ideas are blamed.

Mr. Rafiq is given an option to develop the ancestral property by a privet developer agent. The house carries the style of typical historic buildings of old Dhaka; which are being pushed aside by urban modernization. With the decision hanging, Ruba, his daughter, leaves her husband in the US and returns to Dhaka. The cause being her husband's excessive misbehave. Ruba tries to find peace in her memory soaked old home but could not as the decision to reconstruct the property is discussed and debated over and over again. Another character, Soleman, obedient servant of Mr. Rafiq becomes irritating to Ruba since he has a rivalry with the local power holders. As Ruba seeks her memories in the home, she occasionally watches a man on a neighboring flat. The man notices this. With the man's efforts they finally get to be friends. But the orthodox mindset of the father desperately looks for ways to stop the developing relationship or perhaps a new hope for Ruba.

Young lads of Azad Boys ametuer soccer team from a small town of Bangladesh stand up against a mighty Indian team when their hometown team gets into an accident. They play their hearts out to save the last pride and show that if you dare to dream you can.

The film takes place during the late 19th century in Bengal. During that period of time, Zaminders had absolute power and controlled every aspect of common people's lives. Rizwan is the only son of a very powerful Zaminder who resides in the rural part of Bengal. As Rizwan grows up, His father sends him away to the city for higher education, however Rizwan have no interest in heart to seek higher education as he aspires to become a great poet. As he progresses with his life in the city, one day his friends persuades him to go to a Baizi Bari's Jhumri Mahal, where all the Raqasa (Dancers) resides.

A member of a newly formed band "Off Beat" falls in love with a mute girl.

Adhkhana Bhalo Chele Adha Mostaan is a film that explores the duality of an artist told through chats between the Director and Arnob about life, battling our demons and overcoming them. Essentially we're all Adhkhana Bhalo, Adha Mostaan and it's learning to embrace both that sets us free. This film is a self- realisation trip and I hope we can all connect to it through stories of love, loss and human connection.