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Aedy Moward

Aedy Moward

Acting

Biography

Edy Muwardi Abdul Aziz bin Abbid (29 November 1929 – 6 November 1980) was an Indonesian actor who is widely known as Aedy Moward. Aedy usually often played with Benjamin S and Ateng and also played in the very popular film in the 1970s, Inem Pelayan Sexy. In Inem Pelayan Sexy, Aedy plays the husband of Titiek Puspa who has a beautiful maid Doris Callebaute. In addition, Aedy also had a major role in the film Aku Tak Berdosa in 1972 and Bundaku Tersayang in 1973 with a famous actor at that time, Rahayu Effendi.

Known For

The Long March
8.0

It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.

The Long March

1950
What Are You Looking For, Palupi?
N/A

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

What Are You Looking For, Palupi?

1969
Hanya Satu Jalan
N/A

Two businessmen, Burhan and Benny, are rivals and Burhan hires Joko, an ex-convict who is trying to reform. Joko is asked to investigate Benny, through Leila, a hostess that Benny usually goes to. But then Joko and Leila fall in love and things do not go as planned. A accident happens and Leila is shot by Joko. Burhan dies in a car accident while Benny runs away out of the country. The reason of enmity between Burhan and Benny is unclear, nor that of Leila’s role, who knows so much about Benny’s secrets.

Hanya Satu Jalan

1972
A Young Wife's Witchcraft
6.0

A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.

A Young Wife's Witchcraft

1977
Atheis
9.0

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Atheis

1974
No image
N/A

This is a sequel to the film Guna-guna Istri Muda ("A Young Wife's Witchcraft"). The husband, Arifin, realizes his bad behavior and divorces his second wife, Sandra, to go back and live with his first wife, Tati. Sandra is vengeful about the one-sided divorce. She asks for the shaman’s help, to use black magic to destroy Arifin’s family. Chaos ensues in the family, including during a wedding reception of the son. At a critical moment, a savior arrives.

Revenge of a Young Wife's Witchcraft

1978
No image
N/A

During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.

Kafedo

1953
After the Curfew
6.2

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

After the Curfew

1954
Malam Pengantin
N/A

Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.

Malam Pengantin

1975
The Moon on the Graveyard
N/A

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

The Moon on the Graveyard

1973
Cinta Segi Tiga
N/A

Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.

Cinta Segi Tiga

1979
Rojali & Zuleha
N/A

Rojali, whose real name is Rajauli, is the son of a widow who owns a traditional food stall. He falls in love with Zuleha, the daughter of his rich neighbour. But their parents oppose their relationship.

Rojali & Zuleha

1979
Raja Dangdut
N/A

Even though he has become successful with many fans, Rhoma remains modest, is still religious and listens to his parents. But Ida, a fan of his, has been sending more than 100 letters to him. Rhoma sympathises with her and falls in love. Meanwhile, Ida’s mother is a poor widow who sells gado-gado (traditional Indonesian salad). Rhoma’s mother wants him to marry another girl, Mira, who has a higher social standing. Rhoma rejects his mother’s choice and both mother and Mira, mock Ida and even tries to consult a shaman. Rhoma does not like Mira’s "modern" attitude. When Mira has an accident and Ida helps her, her attitude changes, and Ida and Rhoma end up marrying each other.

Raja Dangdut

1978
Big Appetite, Low Energy
N/A

A middle aged man tries to find a cure for his impotency while his young and sexy wife has an affair. It's a comedy.

Big Appetite, Low Energy

1977
Mamad
6.0

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Mamad

1973
Bed for Day, Bed for Night
N/A

Karno and Dina, grow up in a large fisherman village, and have carried on an affair till she is pregnant. Embarrassed, they leave for the city. Karno works as a truck driver and Dina becomes a tailor.

Bed for Day, Bed for Night

1976
Terimalah Laguku
N/A

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.

Terimalah Laguku

1952
Embun
N/A

After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.

Embun

1951
Six Hours in Djogja
9.0

Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.

Six Hours in Djogja

1951
The Artist's Holiday
N/A

After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.

The Artist's Holiday

1965