Brian Van't Hul

Wandering her rambling old house in her boring new town, 11-year-old Coraline discovers a hidden door to a strangely idealized version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.

Tired of scaring humans every October 31 with the same old bag of tricks, Jack Skellington, the spindly king of Halloween Town, kidnaps Santa Claus and plans to deliver shrunken heads and other ghoulish gifts to children on Christmas morning. But as Christmas approaches, Jack's rag-doll girlfriend, Sally, tries to foil his misguided plans.

In the town of Blithe Hollow, Norman Babcock can speak to the dead, but no one other than his eccentric new friend believes his ability is real. One day, Norman's eccentric uncle tells him of a ritual he must perform to protect the town from a curse cast by a witch centuries ago.

An orphaned boy raised by underground creatures called Boxtrolls comes up from the sewers and out of his box to save his family and the town from the evil exterminator, Archibald Snatcher.

6 documentaries chronicling the adaptation of J.R.R. Tolkien’s work and the creation of Middle-earth.

Eleven documentaries offering an inside look at the making of the film, from the casting process to digital color grading, revealing the secrets of the shoot and the various stages of post-production leading up to the film's release.

Peter Jackson, members of Weta, and film production personnel are interviewed, telling of the birth of a small company in 1993 (for the making of Heavenly Creatures), which would provide visual effects for The Lord of the Rings: The Fellowship of the Ring, and its various tasks in rendering fictional, fantasy environments and entities. The process behind the making of the Watcher in the Water, the Cave-troll, the giant corridor of Dwarrowdelf, the Balrog and its fire effects, the water-horses of the Bruinen flood, and the Ringwraiths' true appearance are explained by effects specialists of Weta Digital and the American company Digital Domain.

Behind the scenes documentary of the Lord of the Rings: The Fellowship of the Ring

This documentary covers the early storyboard, pre-visualization, and screening processes in the production. Christian Rivers, a Wētā Workshop art director in the production team, drew most of the storyboards of the plot of the movie. After scene design was finalized, Peter Jackson used toy-sized miniatures of setting and characters, to review and decide on camera movements for each scene. The computer graphics program PreViz was then used to visualize the scenes with basic 3D models.