Acting
In Eugene Kotlyarenko’s mixed-media caper, a livestreamer (Cole Sprouse) discovers a cache of vintage denim only to run afoul of the Yakuza when he is lured to Japan to sell the jeans by one of his subscribers (Kiko Mizuhara).
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In a future where daylight is fatal, a group of people hope to escape from the planet.
March 11, 2011. The biggest tsunami Japan has ever experienced triggers the Fukushima disaster. Risks are being downplayed but the foreign community in Tokyo is terrified by this tragic event and the fact that no one is capable of assessing its scope. Among them, Alexandra, a French executive newly arrived from Hong Kong to work in a bank, has to face this nuclear crisis. Torn apart between fol- lowing the company’s instructions and going back to her husband and children who are still in Hong Kong, she will find herself defending honor and given word, despite the pervading terror and chaos.
On the 70th anniversary of the atomic bombing of Hiroshima, Akihiro, a native Japanese filmmaker living in Paris, travels to Japan to interview survivors for a documentary commemorating the victims of the attack. Deeply moved by the interviews, he decides to take a break to wander through the city during which he meets Michiko, a merry, enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled with the simplicity of the present.
Kogo, a Japanese filmmaker, has come to spend a few days in Pantin with an old friend. He is avoiding work. An incorrect address, the Romainville weather tower, a symposium about failure in art, a woman in blue, and another in a fur hat will totally mess up his plans.
Hayashi Fujio, a 90-year-old veteran, narrates his memories from World War II, when he volunteered for the very first kamikaze operation planned by the Japanese Imperial Army.
