Rodrigo Moreno del Valle

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Manuela and her mother have different ways of perceiving the world they live in. They discuss masculinity, love, and, as if that were not enough, the importance of a sofa.

With a conviction that appeared to be forgotten, Rodrigo Moreno del Valle’s debut recovers the pulse of young people thrown into summer and hopeless nights, in a city with local features that seem to get diluted into the cosmopolitan life of well-of classes. The characters wander through the streets, get into clubs, or go to parties with a blurred goal: distract themselves from loneliness, boredom, or an unfinished form of anguish, and spend time in the same way days pass by in this film, each one marking a different chapter. The filmmaker is able to find a tone that works hard to scorch on the common places of dilettante young people. Wik features both the passion of love encounters and its opposite side: the ferocious silence of wasted hours

Humberto Solano struggles to lead an alternative life style, away from the hectic city life. One night he gets a phone call, which will alter his routine and put the nature of his path to the test

Maria steps into her mother's apartment, a bittersweet journey down memory lane. The rooms echo with the echoes of her childhood, as she spots the familiar furniture and treasured trinkets. Loneliness settles in, a quiet companion. She recalls the days when her mother's voice would call out her name, back by their favorite tree, in simpler times.

Maria visits her mother's apartment for the first time after her death, intending to put it up for sale. Once inside, she encounters objects from her childhood that remind her of a significant event from her past.