Nagmeh Alaei

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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To win back his ex-girlfriend, a nerdy teen starts selling ecstasy online out of his bedroom -- and becomes one of Europe's biggest dealers.

Helen Dorn is an expert Police Commissioner, who’s years of experience have given her killer instinct when it comes to crime. On the department head’s orders, Helen Dorn become involuntary partners with Detective Chief Superintendent Gregor Georgi, with Helen in the role of Georgi’s superior. After initially ruffling some feathers, as Gregor thought he was about to take over a case as head investigator and not confronted with a new superior, the two prove to be a solid pairing: Helen’s famed intuition is matched by Gregor’s rational analysis and precision. But will he be able to unearth her mysterious past?

Faced with staff shortages, the chief of a Cologne police department convinces two retired homicide detectives to come back into the force. As their immediate superior is a young woman, a generational cultural clash is inevitable.

A mysterious woman's escape from her harrowing captivity points investigators toward the dark truth behind an unsolved disappearance 13 years earlier.

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In this prequel to the TV series, the individual fates of the members of the later "Red Bracelets" and how they came together are told.

Youssef's cousin Jamila is said to be forced into marriage, but at the henna evening the German groom is disfigured with baseball bats. Soon afterwards, Youssef and his fellow detective Anne Fuchs find Jamila's secret lover - dead.

Sixteen-year-old Jann shields his mother Lina from the outside world in a system that has been established over the years. When Jann falls in love with Selma, who is a year older than him, he is less and less able to keep his family secret. Selma and Jann's love causes his previous world to collapse, but ultimately it also gives him the strength he needs to claim a new place for himself in life.

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The lawyer Franziska Schlüter works for the Aescuria insurance and is responsible for processing applications for disbursement of occupational disability policies. The company policy provides as a guideline to prevent the approval as far as possible. When the widow of a victim, who committed suicide after being rejected, storms the office to loudly accuse these machinations, Franziska begins to doubt the correctness of her work and to rethink. She quits and works as a freelance lawyer to help injured parties legally to get their rights. First she deals with the case of a family in the neighborhood. The father has been in a wheelchair since an accident. However, the Strelaus have not yet seen any money from the insurance company. Initially not taken seriously by colleagues, the shy woman takes on the fight against the health insurance system and has to fight against resistance and above all with her own self-doubt.

On an impulse, 60 year old Charlotte leaves her husband stranded at a gas station in the middle of nowhere. A deep and driven instinct has her setting off, away from her old mundane life as a grandmother, a mother, a wife, and towards a new and different life. Little does she know that her granddaughter, Jo, a wonderfully whimsical child, is hiding in the back of the car. Charlotte’s spontaneous escape triggers off a journey, not only for her and her granddaughter, but also for her husband Paul and daughter Alex. As Paul and Alex pursue Charlotte and Jo across the countryside, they stumble into their own mishaps, self discoveries and emotional confrontations.

Billy Kuckuck is robbed of her briefcase, which also contains all her money, by a boy at an appointment - who should clearly be at school at this time. It is only by chance that she meets the thieving boy again when she demands the money for a kitchen stove she has sold from her single mother Louisa. It soon becomes clear that Louisa is in a more problematic situation than the unpaid stove initially suggested. The boy is her son and his name is Marcel.

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Eifel landlady Toni Janssen wants a child, but not necessarily a man. After an alcohol-fueled slip, her ex-boyfriend Hajü, of all people, gets her hopes up. Meanwhile, Heidi accidentally meets an old childhood friend.

Eifel landlady Toni Janssen has the blues. The unexpected single life is just as depressing as the decline of the "Kupferkanne" without the cooking skills of her "ex". The otherwise tough restaurant owner would prefer to crawl under the comforter all day! But giving up is out of the question for her mother Heidi. The fact that the Janssen women have been making it on their own for generations is their motto in life anyway. The best example: Heidi's newly opened guesthouse, which is often fully booked! It's not just business success that has a rejuvenating effect on the optimistic woman in her mid-fifties. Ron, the gardener hired by the investment-happy business founder, surprises her with his charming advances. What Heidi initially finds hard to believe soon sends her into a frenzy of love.

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