Writing
Mudra Afrique, founded in 1977 in Dakar by Léopold Sédar Senghor and Maurice Béjart, was an important dance school that mixed traditional African dance with modern styles. Germaine Acogny, a skilled teacher, along with dancer, actress Irène Tassembédo and musician Doudou Rose Ndiaye, were key figures in the school. Their work helped Mudra Afrique leave a strong mark on African contemporary dance and music.
A montage film that begins in May 1, 68 and ends in mid-June. Everything is there: the students of Nanterre in revolt, the demonstrations, the cobbles, the barricades, the rioting nights, the busy Sorbonne, the happening of the Odeon, the factories on strike and SĂ©guy who gets on the bandwagon , the general protest, 10 million French without work, de Gaulle and The reform, yes, the doglit, no, the Gaullist demonstration of May 30, Grenelle, the death of a high school student, the offensive Pompidou and the return in the factories.
Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.
