Jorane Castro

Three women with very different views on life and love go on a trip together, leaving from one urban setting to another where crude nature prevails. Eva, a mature and pragmatic woman, invites the free spirited and uncompromised Melina and Keithylennye, a young former Tecno Brega dancer, to join her on the journey. On the way, the events experienced individually by each of the three reveal the uncertainties and the different meanings of the trip for each of them.

Based on testimonials from key characters, such as Dona Onete, Manoel Cordeiro, Pio Lobato, among others, in “Terruá Pará”, director Jorane Castro leads us into a deep dive into the diversity of Amazonian music, providing moments of enchantment and emotion.

Three old ladies, Margot, Greta and Isla, sing in burials for money. One day, a corpse disappears, and they become the primary suspects.

In the near future, the world is ruled by a totalitarist government. In this context, three stories meet themselves and end in the best place to be at the end of the world: the Besta Pop (Pop Beast) party.

Young Deisy (Ana Letícia) dreams of moving to bustling Belém, but instead she lives on Combu Island, across the river, cut off from the city she often admires from afar. Her mother (Dira Paes), aware of her daughter’s longing, wants to help her achieve it — though her husband (Adriano Barroso) is firmly against the idea. Together, mother and daughter hatch a plan to make the dream a reality.

The research project aimed to elaborate a typology of cities in the Amazon taking into account differentiating variables such as historical origin, riverside cities, frontier cities and by type of economic activity, among other clippings.

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A couple, after 7 years together, finally buy a spacious and central apartment. After a few months they want to sell it at any price. They suspect that the new home causes deep upheavals in their routine, because of the unusual events that happen there.

Mestre Cupijó is one of the pillars of Pará music, pioneering rhythms like siriá and banguê. The documentary portrays how he and the musicians who accompanied him developed their sound.

In the Northeast of Pará, the fishermen who live on Praia de Ajuruteua, in the municipality of Braganca, are passionate about soccer. They don't miss a match for the national team or the teams they support. In addition, every late afternoon, when the sun is already milder, they meet at the different soccer fields scattered around the village, to hit a ball. The fishermen of Ajuruteua take their passion for the national sport so seriously that they always embark with a ball placed on the bow of the boat. When they can, they find their fishing partners on the croas, as the sandbanks in that region are called, for a pelada. There, at low tide, they play football on this ephemeral field, created by nature, before returning to the open sea and facing the challenges of yet another fishing trip.

Through the story of women residing in the Mamirauá Sustainable Development Reserve, in the heart of the Amazon, one discovers their daily lives as wives, workers and mothers, in the floodplain, a unique ecosystem, where their lives are punctuated by four seasons: dry , flood, flood and ebb. They show us how to live with nature in harmony with the environment.

The daily life of the workers in the areas affected by the Grande Carajás Program, in Pará and Maranhão States (northern Brazil).

A portrait of Belém do Pará from the point of view of bloggers, authors of virtual diaries around the city, is reflected in the eyes of its young contemporary flaneurs.