Directing
Scientists discover a creature frozen into the ice fields of the North Pole. As it is gradually brought back to life in a bold experiment, the creature experiences flashbacks of its painful past with its creator. Two hundred years after its publication, American composer Mark Grey takes Mary Shelley’s groundbreaking science fiction novel as the basis for his first full-length opera. Directed by Àlex Ollé of the theatrical group La Fura dels Baus, this modern interpretation warns of the growing gulf between our capacity to invent and our inability to comprehend.
Janáček's song cycle staged by La Fura dels Baus at Palais Garnier. Conducted by Gustav Kuhn.
When a free-spirited woman is arrested, an impressionable soldier is charmed into letting her go. But having risked everything to be with her and lost, his hopes of happiness soon turn into a jealous rage. With equal parts danger and desire, Carmen is an intoxicating cocktail that never fails to excite the senses. French mezzo-soprano Stéphanie d'Oustrac plays the seductive heroine with a rock ‘n’ roll attitude who bears more than a passing resemblance to Amy Winehouse. Spanish director Àlex Ollé’s production is conducted by Kazushi Ono at the New National Theatre Tokyo.
No description available.
The staging of Béla Bartók's opera Bluebeard's Castle at Opera national de Paris, a collaboration of La Fura dels Baus and Jaume Plensa.
On his way to a medical convention, Dr Fausto runs into a man who claims the Doctor removed his stomach eight years ago in a surgical operation. Against all odds, he is still alive. The man turns up repeatedly and promises Fausto to make all his wishes come true. Reality starts dissolving and Fausto begins to lose control
To celebrate the 100 years of the festival Arena di Verona and the 200th birthday of Giuseppe Verdi, two separate productions of Aida were staged. This modern version was staged by La Fura dels Baus.
Opera in three acts, composed by José Luis Turina for the inauguration of Gran Teatre del Liceu, after a scenic conception by La Fura dels Baus.
Premiered in Stockholm in 1978, the work is based on a play by Michel de Ghelderode (1898-1962) and unfolds in an imaginary land inspired by the famous Dutch painter Pieter Brueghel the Elder: Nekrotzar, the Grand Macabre, announces the end of the world; but in a land ruled by eros, alcohol and corruption, his plan to unleash the Apocalypse bursts like a soap bubble. LIVE RECORDING FROM THE GRAN TEATRE DEL LICEU, BARCELONA, 2011
Mozart's The Magic Flute, staged by La Fura dels Baus for the Ruhtriennale Bochum 2023
The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion. Norma discovers the love between Pollione and Adalgisa. Furiously she gives the signal for war. Pollione is captured, attempting to steal away with Adalgisa. Norma, called upon to announce a sacrificial victim to consecrate the uprising, declares it shall be a guilty priestess: herself.
The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.
A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid. Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.
Spectacular! Opera in three acts. Filmed at a series of outstanding performances at the Teatro Real de Madrid in December 2016, this recording will especially delight lovers of Wagnerian music drama with its faithful reflection of the grandiose staging of Alex Olle, a member of La Fura dels Baus, whose earlier productions have attracted widespread attention. A conductor equally at home in Monteverdi, Boulez, Praetorius and Schumann, Pablo Heras-Casado can rely on a cast totally committed to this breathtaking musical hurricane!
Alex Ollé, one of the famous La Fura dels Baus, recreates the conflict and places principal protagonists in clear, transforming set with supporting lighting – facing all primal emotions directly, with no place to hide. The set design (smart and impressive solution of scenography by Alfons Flores) encased in mirrors and accented with silently moving columns, creating cloister, battlefield, cemetery or castle with minimalistic hints (impressive lighting design by Urs Schönebaum), gives us the opportunity to keep full attention on the vocal performance of main characters.
