Directing
In the backlands of Goiás, Brazil, brutish men who cannot deal with their weaknesses are constantly abandoned by the women they love. Sad and bitter, these men turn violently against each other.
"Empty Days" tells the story of a day in the life of Jean and Fabiana, a couple of young boyfriends who try to reinvent their lives in a small town in the Brazilian interior. They are in their senior year of high school and live the old dilemma: either we leave this city or we stay here and continue the history of our parents. At the end of this day Jean commits suicide and Fabiana disappears. Two years later, Daniel and Alanis, another couple of young boyfriends, try to understand how everything happened.
Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.
Years after a rough separation, a couple meets again and travel to a wild region of Brazil that was once the scenery of their passion. Slowly they find out both have changed and must ask themselves if love has resisted the passage of time.
The National Truth Commission, installed in 2011 to investigate crimes committed during a military dictatorship, brought to the public a still very obscure chapter of our history: the existence of an indigenous detention center in the city of Resplendor (MG), called Reformatório Krenak . First installed within the territory of the Krenak ethnic group, and later transferred to Carmésia, it imprisoned and tortured not only Krenak indigenous people, but several other ethnic groups such as the Pataxó, imposing restrictions on their ancestral practices under relentless surveillance by the military. The documentary shows how this concentration camp worked, and the consequences of this collective trauma for the affected indigenous peoples.
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The UN estimates street children worldwide at 150 million. In Latin America, they are 40 million. In Brazil, street boys and girls felt so enchanted by a camera that they took it as their own to express themselves and fight the silence.
