Diana Haller

The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.

All the men of Touraine are away on a Crusade. Only the young Count and his companions are around but have other things in mind; they are on the prowl for amorous adventures. In ridiculous disguises, they try to outwit the women, for now, bereft of their husbands. The beautiful and strict Countess Adele, to honour her crusading brother and other knights, has taken a vow of chastity, although she has fallen in love with Count’s noble squire, the young Isolier. Surely, in such circumstances, shouldn’t all men be banished from her castle?

A passionate young couple finds itself caught up in a conflict between opposing political factions. Entangled as they are in a web of political intrigue, deception and madness, will the power of their love prevail? Set in England during the Civil War, Bellini’s last opera I puritani opposes Royalist cavaliers and rebellious Puritans. Its sweeping historical drama and romantic intrigues drew rapturous music of melancholy intensity from the composer. For the first time, this production includes the entire score written for the work’s Paris premiere.