Writing
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
Gorgeous tunes and orchestral thrills for the young and young at heart: with a twinkle in her eye, the warm, whimsical and occasionally wicked Miriam Margolyes leads us through an orchestral storytelling extravaganza. Matching instruments to their animal counterparts in Prokofiev's timeless classic, Peter and the Wolf exploring witty vignettes and a dazzling fugue in Benjamin Britten's The Young Person's Guide to the Orchestra and magical tales of love and fantasy in Borodin's Polovstian Dances from Prince Igor. Margolyes is joined by the Adelaide Symphony Orchestra with Principal Conductor Nicholas Carter in a captivating program filmed live in concert at the 2017 Adelaide Festival - a sellout performance season that was a crowd-pleaser for young and old.
The story follows one fateful day as a beggar-poet and his daughter cross paths with a wicked wazir, a wily temptress, a handsome prince, a magical curse, opulent sets and exotic adventure. Adapted from the Broadway musical.
