John B. Reed

Late 70s, downtown NYC, bar scene. Fara, the bar keeper’s young wife, falls in love with her beautiful step son, Po, just back from California. Early 80s, a filmmaker goes back to the witnesses and players, who tell the story of the tragedy. It’s Phaedra and Hippolytus, shot in a cool-tempered No Wave style.

A fairly typical sorority skin flick told through Shakespeare's words.