Henri Auguste Barbier

With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.

Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.

The Florentine sculptor and silversmith Benvenuto Cellini rapidly attained a degree of renown that went beyond the confines of Italy. Invariably embroiled in conspiracies, intrigues and quarrels, Cellini is commissioned by the Pope to cast a large sculpture of Perseus. He is loved by Teresa, but she is promised to Fieramosca, an academic artist who has not been favoured with a papal commission. Terry Gilliam’s exuberant production draws the protagonists into a delirious and joyful yet claustrophobic and megalomaniac world: a flaring up of contagious madness.

Rome, 1532. Pope Clement VII has tasked the sculptor Benvenuto Cellini with creating a bronze statue of Perseus before the end of carnival. Seeking fame and fortune, the latter accepts the commission, even though his workshop is short on both time and metal. On top of that, Cellini is head over heels in love with Teresa, the daughter of the Pope’s treasurer, Balducci, who for his part is intent on marrying his daughter to Fieramosca, Cellini’s rival in love and art. When the young lovers’ attempt to elope fails, Cellini has no choice but to carry out his task successfully if he wants to avoid certain death… Alain Altinoglu is the ideal conductor for this richly coloured masterpiece, to be staged for the first time at La Monnaie. Director Thaddeus Strassberger is bound to enchant the audience with a colourful show worthy of the finest Carnival celebrations!