Claudio Scimone
Acting
Biography
Claudio Scimone (23 December 1934 – 6 September 2018) was an Italian conductor. He was born in Padua, Italy and studied conducting with Dmitri Mitropoulos and Franco Ferrara. He established an international reputation as a conductor, as well as a composer. He revived many baroque and renaissance works. His discography includes over 150 titles, and he won numerous prizes, including the Grand Prix du Disque of the Académie Charles Cros. Claudio Scimone was the founder of I Solisti Veneti (the ensemble with which most of his recordings were made) and at the time of his death was the honorary conductor of the Gulbenkian Orchestra in Lisbon, Portugal. With the Philharmonia of London, he conducted the first recording of Muzio Clementi’s Symphonies. Scimone led the world to discover the importance of Vivaldi's theatrical works, beginning with the first modern performance of Orlando furioso, featuring Marilyn Horne and Victoria de Los Angeles. In the reborn Fenice Claudio Scimone directed the first modern revival of the Venetian version of Maometto secondo by Rossini. He also gave the modern premieres of Moses in Egypt and Oedipus at Colonus by Rossini, and The Last Judgement by Salieri. Claudio Scimone was awarded the title of Knight Grand Cross of the Order of Merit of the Italian Republic (the highest ranking honour of the Republic). He was also awarded an honorary law degree from the University of Padua. Source: Article "Claudio Scimone" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
No description available.
Le monde est à vous
Set in 1960, the year of the Rome Olympics, a 13 year-old boy with aspirations to become an athlete befriends an ageing, disabled bus driver who understands his ambitions.
A Boy from Calabria
From the Basilica of Superga in Turin, a symphonic concert conducted by Claudio Scimone. W. A. Mozart, Kyrie in D minor, K. 341, for mixed choir and orchestra. G. F. Handel, Concerto No. 16 in F major, HWV 305a, for organ and orchestra. J. S. Bach, Cantata BWV 76 for soloists, mixed choir and orchestra.
Mozart, Handel, Bach
Maometto II (or Maometto secondo) is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play Anna Erizo. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481.
Maometto secondo
No description available.
Corelli: Concerti grossi
This colourful and exuberant production was staged by Daminano Michieletto, “one of the truly new voices in stage direction today” (L’Unita). Damiano Michieletto made his international debut at the Wexford Opera Festival in 2003 with a highly-acclaimed production of Weinberger’s Svanda Dudák, named Opera Production of the Year by the Irish Times. Claudio Scimone, a key figure in the international Rossini Renaissance, conducts the Orchestra di Bolzano e Trento and leads a cast of Rossini specialists including Daniele Zanfardino, Olga Peretyatko and Anna Malavasi.
Rossini: La Scala Di Seta
Claudio Scimone and the Solisti Veneti in concert in Nairobi perform music by Vivaldi, Tartini, Rossini, Pasculli, Verdi, Arban, Monti and Morricone whose poignant version of “Nuovo Cinema Paradiso” is heard.
I Solisti Veneti - Live in Kenya
Assassinio nella cattedrale (Murder in the Cathedral) is an opera in two acts and an intermezzo by the Italian composer Ildebrando Pizzetti. The libretto is an adaptation by the composer of an Italian translation of T.S. Eliot's play Murder in the Cathedral. The opera was first performed at La Scala, Milan on 1 March 1958. The opera was performed for the first time in Canada the following year at the Montreal Festivals.
Assassinio nella cattedrale
To celebrate the 200th anniversary of André-Ernest-Modeste Grétry’s death, the Opéra Royal de Wallonie brought the composer’s Guillaume Tell back to life in the city of his birth. With a mostly Belgian cast, they offer a brilliant revival of a monument of Walloon music history. Stefano Mazzonis Di Pralafera decided to exaggerate the comic bent of the original libretto by framing the production with exuberantly zany stage sets inspired by circus theater. Marc Laho incarnates the perfect hero (Guillaume Tell) and the sublime Anne-Catherine Gillet his wife (Madame Tell). The opera is set in 13th century Switzerland, and stages patriotic Swiss people’s heroic fight for liberty—with Tell as their chief—against the evil and oppression of the Austrians led by Guesler, the local governor. A superb production of a raucously entertaining opera!
Grétry - Guillaume Tell (Opéra Royal de Wallonie)
Rossini's opera in a concert recording from 1988, Amsterdam