Pedro Gracindo

The struggles biblical characters are confronted with.

Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.

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The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

Manuela reports her husband to the federal police and enters the witness protection program. When he goes to prison, she leaves everything and tries to escape to Europe before he is released.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

The life of a famous Brazilian film and television actor, including testimonials from people who knew him and worked with him, as well as excerpts from films and videos in which he acted.

A love story between Ana and Laura, two women who think of life in completely different ways. Ana has a mysterious secret that can generate a conflict between reason and desire, to distance or bring the two closer together.

Rio de Janeiro, 2016: the city simmers in anticipation of the Olympic Games. Lawyer Ana defends the interests of residents of homes to be replaced by stadiums, roads and luxury hotels. Is the heat affecting her perception or is the struggle becoming visible on her skin?

A lonely woman takes up the habit of breaking into her neighbor's apartment, when he's out, to answer his phone.