P.L. Santoshi

Ramesh, the youngest son of a well-to-do family, falls in love with a woman he hears singing on the radio -- even though he's never seen her. When he finds out his mystery woman is Ksama, a servant in his parents' house, everything is thrown into turmoil. Will Ramesh accept Ksama? Will they get married? Love may just conquer all in this classic Bollywood melodrama.

Moti is a merchant who sells jaggery in the market, with the help of an older woman, Mahjubhi, who makes exemplary jaggery. He is in love with a village girl, but cannot afford to pay the dowry/marriage expenses to her father. So he decides to marry Mahjubhi, while secretly harbouring the dream of saving enough money for dowry and marrying the village girl. After marrying Majubhi, Moti extracts a lot of work from her to this end. He eventually does collect the amount and divorces her, accusing her of infidelity. Shortly after that he marries the village girl, and goes back to his business of selling jaggery, but faces the consequence of losing Mahjubhi's jaggery.

Children are exchanged by greedy aunt and uncle in childhood and they live undeserved lives.

A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

A doctor unknowingly spurns a woman who loves him, compelling her to marry a wealthy king whose three wives allegedly killed themselves.

Rajendra Mehra is the only child of Rai Bahadur Kailalshnath, and studies in a school along with Nandu, Mehmood, Chatpat, Guru, and others. He decides to go on an outing with them, incurring the anger of his dad, who at first sends his servant, Dhamu, to bring him back. When Dhamu fails, he sends Mirza Usman, and when Mirza too fails to bring Rajendra home, Kailashnath himself sets out himself, but when he reaches them, he finds that the children have already left for home. Angered at his son for mixing with poor students, he decides to remove him from the school and have him taught at home - and the person he has recruited is none other than Shaktimaan Singh - a Circus Ringmaster. The question remains will Shaktimaan be able to appropriately discipline Rajendra?

Sargam is a 1950 Bollywood family drama film directed by P. L. Santoshi and starring Raj Kapoor.

Zamindari Ma, the old landlady of a village supports its people during a famine and raises three orphaned children of differing religions. The children, although encouraged to practice their separate religions, are taught to remain united at all times.

A struggling entertainer trying to keep his dance company afloat with the help of his four daughters. However, his wife is worried about the disrepute the profession is bringing the girls and diminishing their chances of marriage.

"Moti Ka Haar" (1937), also known as "Pearl Necklace," is an early Hindi film directed by Jaddanbai, a pioneering woman in Indian cinema. Classified as both a fantasy and a social film, its plot likely explores the significance of a pearl necklace within a narrative that touches upon societal themes of the era. Featuring actors like Mehtab and a young Nargis, this film is a notable example from the nascent stages of Indian talkies.

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After falling in love with a girl seeking shelter in a rain, he goes to find the girl. Includes the classic song Yeh Ishq Ishq Hai

Shin Shinaki dreams of killing Taishi, the man who killed her parents. When the villain dies, she transfers her vengeful energies on to the man’s son.

A lover follows his sweetheart to her hometown and becomes embroiled in a murder mystery.

A lighthearted comedy film directed by P. L. Santoshi. It's described as a "flippant and clownish farce" that focuses on humorous situations, particularly involving a "boy and girl" dynamic.

Impoverished singers Uma and her brother Babul are discovered by Nirmal. Uma becomes a star and marries Nirmal, but his insecurity leads him to abandon her and their daughter, Manju. When he finds Uma back on stage, he abducts Manju. After years, the family reunites, and Uma returns to a homemaker role.

Nath and Gautam plan a trip to Bombay with the sole intention to have fun.